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Returning with his first release in two years, Martin Vogt, better known in the space as Haywyre, recently delivered his latest Monstercat single “White Lie”. Making a welcome return to the marquee electronic imprint after 7 years, “White Lie” is a buoyant, introspective production that sets the stage for a series of new releases fans can expect from Haywyre in the year ahead.

Building with an expansive, brooding soundscape and striking vocals, the arrangement of “White Lie” leads into a driving, future-funk fueled breakdown. Featuring Haywyre’s diverse production palette, he fuses an unexpected blend of synths, strings, piano, bass and vocal chops with finesse for his return to Monstercat.

On the new release, Haywyre shares, “I’m proud to finally get my first track in two years into the world. Especially one like ‘White Lie’, which I feel really shows a glimpse into where the Haywyre project is going.”

Midwest US based Haywyre fuses his foundation classical and jazz piano training with an affinity for 21st century electronic production. With a history in live music preceding his foray into electronic, he delivers a dynamic, hybrid performance style to the stage.  Haywyre has brought his future funk and melodic glitch-hop inspired sound to the stages alongside top acts of the likes of Griz, Zedd and Gramatik. Having done official remixes for major pop acts like Charlie Puth, in 2021 he received a GRAMMY nomination in the category of Best Remixed Recording for his remix of “Young & Alive” (Bazzi vs. Haywyre Remix).

His songs have a laid-back yet adventurous feel, drawing from dubstep and glitch-hop while we simultaneously hear his background in funk, classical, jazz and house music perpetually shine through. After establishing his sound with early self-released albums such as 2010’s Of Mellows and Revelations, Haywyre produced more intense, complex works like 2016’s ‘Two Fold, Pt. 2’ (Monstercat), with nearly 50 million streams on Spotify alone, later switching to a futuristic disco/funk hybrid with 2018’s Panorama: Discover.

Check it out below!

This article was first published on Your EDM. Source: Haywyre returns to Monstercat for first original single after a two year hiatus – “White Lie”

Christopher Sluka is usually known for his serious, highly technical, expertly composed orchestral work with a hint of synth, but his newest effort is anything but serious. Unless you’re from Mexico or the American Southwest, that is. Those of us living anywhere from Colorado to Baja California know just how important tamales are year-round, not to mention Christmas. Now, “Christmas Tamales” is the anthem to the corn-based parcels we always needed for the season, thanks to Sluka and his band, the aptly named SLUKA.

The lore of the tamale is vast and varied, its origins dating back millennia to Mesoamerican cultures but their current form, which inspired Sluka’s rousing Christmas ode, are still very much a staple wherever one might find a large Hispanic culture. Made of a corn masa base and wrapped usually in corn husks (in Southern Mexican and Central American areas, banana leaves are also a possible choice), they vary in terms of their flavor and filling. Traditional savory choices are usually chicken or pork with some sort of mole (sauce), but there are veggie green chile varieties as well as loads of sweet options with white corn and filled with raisins, pineapples of mangoes.

In Southern California where Sluka likely discovered the traditional pocket food, tamales are available all year long at restaurants, taco trucks and even at many places of business, where industrious home cooks will sell them to hungry workers. These homemade, fresh tamales are considered the best ones among SoCal residents in the know; until Christmas, of course, when loads of abuelas from all different regions and will all different recipes get out their big pots and start to make them for family and friends. The Christmas tamale-giving season usually starts right after Thanksgiving (with delicious turkey tamales making an appearance, of course) and lasts through the New Year. Anyone lucky to be a family member, friend or neighbor to someone who makes tamales knows truly how magical they are, and it’s clear this is the type of tamale about which Sluka and his band are singing their praises.

The song itself is much more lighthearted and fun than SLUKA’s usual work, which tends to be dense, emotive and complex. Clearly intended at least partially for kids, “Christmas Tamales” is joyful song, easy to sing along to with pretty simple lyrics, almost like a Christmas Carol. It’s still got that SLUKA flare, however, with loads of warm, ambient sound design and synth supporting the well-composed and produced music. Sluka’s vocals themselves are booming and jovial with just a touch of cheek, sort of like Jack Black’s in Tenacious D songs. A perfect carol to everyone’s favorite Christmas food in Mexico and the American Southwest.

Sluka and his team also created an equally fun and family-forward animated video for “Christmas Tamales” using AI made by SLUKA bass player, Anna Eppink. The video is a wild ride through a Christmas wonderland where yetis shop for and prepare the Christmas tamales. Tamales also dance in the sky as the band play the song. Whimsical, festive and kind of trippy, it’s what one would expect if SLUKA did a Christmas video.

While there are likely other songs about the Christmas tamale tradition, this one done with such gusto and fun means “Christmas Tamales” could be an instant classic. With nearly 200k views on the YouTube video already and 30k streams on Spotify, it’s well on its way to becoming a household holiday song and it’s a great way to tease SLUKA’s upcoming album.

This article was first published on Your EDM. Source: Thank You SLUKA! There’s Finally a Song About ‘Christmas Tamales!’ [Video]

It might have come as a surprise when it was announced that S.P.Y, the elusive DJ, producer and now label boss of DARKMTTR Records, would be taking over the legendary XOYO in London for the whole of November. The Brasil-born mega DJ generally only picks the gigs he’s really excited about and, with his release schedule, both label and personal, many fans might wonder how S.P.Y could make time for four Fridays. Turns out it was a simple decision for him.

With the well-oiled machine that is Weird Science Promotions running most D&B gigs at XOYO (they’ve also got the likes of Grooverider, Andy C and the whole Kool FM lineup slotted for December and early 2024), and a ready-made lineup at his disposal, the first three gigs have gone off without a hitch and the series closer, taking place this Friday, promises to be a great sendoff for S.P.Y and company. The likes of Calyx, MC GQ, Etherwood, Lowqui, IAMDOOMED, Alley Cat, Voltage, Kyrist and Flava D on the roster, every week was as stunning and vibey as the last, with a super blowout for the last date (read on to find how who the special guest will be tonight).

We don’t want to yammer on too much about the other stuff we chat about, because S.P.Y gave loads of excellent answers, but suffice it to say if you were looking for tips and tricks from a master producer as well as how he does his A&R, this is the article for you. Per his name, S.P.Y usually keeps his secrets close so YEDM feels very lucky he was so open in this article and we appreciate his taking the time. Now read on and enjoy spying on S.P.Y.

As a producer who seems to live in the lab and who only does the gigs you really enjoy, what made you decide to do a residency at XOYO?

XOYO is such a legendary club, so I felt quite honored to be asked to host a residency there. It’s an amazing opportunity to curate my own lineup and share with people, the DJs and producers that I really admire and respect. Funnily enough, it’s actually got me spending even more time in the studio as I’ve been busy finalizing new tracks to play at the residency. I know that everyone who’s coming down to XOYO are there because they like my sound, so it’s really rewarding to be able to drop some exclusive new tracks and mixes just for them.

We’re just about halfway through the November dates (at time of interview); what have been some of your observations about the gigs? What are you looking forward to in the upcoming gigs?

I can’t believe we’re already halfway through! The crowd at the first two nights has been absolutely incredible. They’ve been so up for anything and have really been vibing to all of the DJs, it’s such a great feeling to get to play to such a responsive crowd. It’s also been great to get to see the other DJs play. Usually I’m so busy touring that I’m in and out and onto the next show. For each night of the residency I’ve been there from start to finish and have got to enjoy everyone’s sets and really make the most of the night. Each night of the residency has a totally different lineup with a different sound, so I’m looking forward to dropping some more dubs at the next two nights. I’m also really looking forward to going back to back with Bladerunner and Flava D, that will be special!

How did you pick the lineups for each week? How did you decide to work with Lowqui as your MC?

While it seems like it would be really easy to curate a lineup, it was actually really difficult as there were so many people that I wanted to book. I was lucky that the final lineup had everyone that I really wanted and each night has come together nicely. I wanted to make each night unique, so the four lineups reflect that. I listen to a really wide variety of drum and bass so I felt it was important to cover all the different sounds that I enjoy.

I really like working with Lowqui, he’s got a great vibe as an MC, he’s a mad hype man and he always interacts well with the crowd. It’s also been great to work with some other MCs during the residency too, like Inja, Stamina and SP:MC, they each have such a unique style and add a different flavor to my set.

Coming off XOYO for a bit, you’re coming up on year three of your DARKMTTR label and it seems curation is very important to you, and that you’re not looking for big names to release but it’s more about the sound. How would you characterise the sound of vibe you generally go for? Is it only you on A&R, or have you brought in some help?

The sound of DARKMTTR is really varied. The label releases everything from dark and minimal, to moody and musical, although I feel like all of the releases seem to have a deep, heavy undertone to them, even the more atmospheric tracks. I always knew that when I started a label I didn’t want it to be pigeonholed into just one sub-genre so I really wanted it to reflect my taste in music. It is only me doing the A&R for the label and I really enjoy doing it. I use a DJ-based approach to A&R and the first thing I ask myself when selecting a track is, would I play this in my sets? Every track that I’ve signed to the label is one that I would – and do – play myself. I’ve always wanted to do A&R and it’s one of my favorite parts of running a label. It’s really rewarding to discover new music and help producers work up their tracks so they’re ready to release.

What are some things you’ve learned over the first three years of DARKMTTR about running a label? How has it measured up to your expectations when you started it?

I’d wanted to start a label for years and I always knew it was going to be a lot of work but nothing really prepares you for the day to day reality of running a label. It’s been a really interesting experience seeing the music industry from a label perspective. I’d only ever seen it from the artist side so it’s been quite a learning curve to see what’s involved in getting a release out there. Scheduling, budgeting and A&R, they’re all things that you aren’t responsible for as an artist and may not fully understand, but they’re vital when running a label. I’m grateful that I have a solid team around me who share the vision of the label. It’s so rewarding seeing the label grow, I can’t believe we’ve had 21 releases already!

How do you decide which releases of your own will go on DARKMTTR and which you will shop other labels? Is that a difficult decision?

It is difficult. I release most of my music on DARKMTTR, but sometimes due to scheduling I will look for other labels to release my music. If I released everything I have on DARKMTTR there would be no room in the schedule for the other artists!

Are there any upcoming releases that tie in with the XOYO residency that you can talk about? Did the release schedule inform your decision to do the residency?

The second night of the residency was actually the release day for “Take Me Up,” my new collaboration with IAMDOOMED. IAMDOOMED played at XOYO the same night and it was like an unofficial release party. It was amazing to play the track with him there and to see the crowd reaction. The release schedule didn’t inform my decision to do the residency, but it was great that IAMDOOMED could play on the same day.

Talking a bit about style and sound, in the last few years you’ve been doing a lot of deep and atmospheric stuff but not necessarily melodic. What makes you inspired to change things up and how do you come up with your more unique sounds?

Producing music is such an organic, creative experience for me. I can’t force a vibe or make myself produce a certain type of sound. My music is an expression of how I’m feeling emotionally at the time, or what’s going on in my life. Depending on what I’m feeling inspired by I can produce something totally different to other things I’ve been producing lately. I spend a lot of time working on sound design which seems to give me some quite unique sounds. I also have a lot of analog and modular equipment in my studio and I try not to be too technical with it. Late nights in the studio, a bit of sleep deprivation and a lot of experimentation seem to combine to produce some really interesting sounds. Basically I just have fun with it and see what I can create!

Having been in the game for a while, how is it to create tracks with current methods versus 15 years ago? Do you use a combination of techniques? What sort of softwares or programmers do you use?

To be honest, I haven’t really changed the way I produce. My sound has definitely evolved over the years, and I try to keep my production relevant sonically, but my techniques really haven’t changed that much. One thing that I’ve definitely changed over the past few years is my sampling. I used to sample a lot for all of my tracks, however now I create all of the sounds myself. Learning more about sound design has opened up a whole new realm creatively for me and it’s really satisfying being able to use my own sounds. I’ve been enjoying sound design so much that I’ve even started releasing my own sample packs.

I listen to a really wide range of electronic music and recreate some of the techniques from other genres with my own twist. I’ve been using Abelton Live since version five and I’m really loyal to it, it’s a brilliant production tool. I also use a Solid State Logic (SSL) desk for summing my tracks in analog, which creates a really nice warm texture for my tracks and of course I listen to everything through my PMC speakers.

Is there anything else you have coming up in releases or gigs that we didn’t mention?

We have a release coming up on DARKMTTR in December; it’s a double release: a collaboration I’ve done with DJ Limited and another of his tracks which has an amazing vocal. I’m going to be dropping the track at XOYO so I’m really looking forward to seeing what the crowd think! Rolling into 2024 we have a bunch of new releases and collaborations lined up for DARKMTTR, but I have to keep everything under wraps for now. Keep your eyes on S.P.Y and DARKMTTR socials to see what we’ve got going on.

Any advice for new producers out there?

I think the main piece of advice I could give is to never stop learning. Keep improving your sound and your production, keep learning new techniques and watch as many tutorials as you can. Also, I think it’s quite easy to give up if you’ve submitted a few tracks to labels and haven’t had anything picked up. Most of the time, it’s just that those particular tracks aren’t right for that particular label, or maybe you just need a bit more experience, or you need to refine your sound. Don’t give up, keep producing and keep sending in those demos! One trick I can share is to A and B the track you’re working on with a similar track that has been released to see if you’re on the right track sonically.

S.P.Y’s last XOYO set will be tonight, November 24 at XOYO. For clips and info, check S.P.Y’s socials or Weird Science Promotions’ Instagram. For upcoming DARKMTTR releases and to hear S.P.Y’s latest track with IAMDOOMED mentioned in this article, click here.

This article was first published on Your EDM. Source: Your EDM Q&A: S.P.Y on His recent XOYO Residency, Two Years of DARKMTTR and His Advice for Producers

Jimmy Pé has led quite the impressive career thus far, with his music tunes already managed to catch the ear UZ, Lefto, Daedelus and has already released music on prestigious labels such as Quality Goods Records, Saturate Records, and others. Jimmy has toured in the USA, India, and Europe, he’s played Sziget Festival, Outlook Festival, Liverpool Sound City, Ment Ljubljana, Pohoda Festival, Colours of Ostrava, and has shared the stage with names like Hudson Mohawke, Four Tet, Thundercat and Dorian Concept. He’s landed club residencies in Bratislava and has even been a participant in Red Bull Bass Camp.

Now, he’s back with a booming bass house EP titled ‘Blip Blop’ via Slow Roast Records along with a music video to the title track. This EP is loaded with massive energy from start to finish, as Jimmy injects each song with a dose of his signature bass house characteristics. Whether it’s the floor shaking bass from “Big PaPa”, glitchy video game-esque feel of “Electric” or the never ending drive of “Hot For You”, this EP showcases just how talented Jimmy is.

The music video of the title track, “Blip Blop,” stands out as one of Pé’s most visually stunning creations to date. Exceptional cinematography, fast-paced editing, dynamic camera angles, well-suited costumes, and seamlessly integrated CGI all come together to create a visually striking adventure that effortlessly complements the adrenaline-charged bass-house soundtrack.

Listen to the EP below!

This article was first published on Your EDM. Source: Jimmy Pé Drops Thunderous Bass House ‘Blip Blop’ EP on Slow Roast Records

Formed in 2017, Black Bouquet aren’t exactly a “new artist,” but neither are their influences. With their first single, “Until You’re Gone” appearing on Spotify in 2020, they already had an extremely well-formed sound, comprised of Joy Division-era post punk synths, goth and art rock drums and arrangements, Cure-inspired guitars and Killers-emo-era everything else, even in the early stages all the members of Black Bouquet were at the top of their game. This “new” sound made up of all the best parts of emo indie has only continue to develop through two more singles and an EP, and now the large six-piece ensemble band are ready to release their debut album, Pray to the Knife, in February.

With the first single and video from Pray to the Knife, called “Run and Hide” just released, fans can now hear what’s in store for the rest of the album. “Run and Hide” is probably the most straight up an down emo track on Pray to the Knife, giving My Chemical Romance-meets-The Killers-meets-“Love Will Tear Us Apart” synths. There’s a decent punch of metal to this song as well, with vocalist Violet O adding more goth sensibility with a vibrato to the vox that connotes She Wants Revenge vibes.

While the rest of the album is just as well-composed and performed as “Run and Hide,” there is a lot of variance in style, as Black Bouquet prove again that, despite being in black and grey, they’re certainly not monochromatic in sound. The intro track, “My Love” toggles back and forth between minimal acoustic, almost folkish acoustic guitars and raging, theatrical goth metal. “Prom,” on the other hand, is driven by deep, Michael Rumple’s deep, heavy Disintegration-era Cure-style drums whilst the guitars are lighter and funkier. “Serpents” combines 80s new wave synths with guitar rock and the album closer, the title track is more of a theatrical goth lullaby.

No matter which of the many styles strikes a fan’s fancy, all of Pray to the Knife is composed, mixed and performed to perfection. If Black Bouquet had come along in 2006, they would have easily ruled the emo world and possibly even united it. Now, however, they stand to resurrect it with modernized techniques, electronic flare, a full orchestral compliment and more drama than their predecessors could have imagined. Here’s hoping they do bring back the Scene scene, because this album and the band that created it deserve to be celebrated.

“Run and Hide” is available now on Black Bouquet’s Bandcamp and Spotify along with the rest of their stunning discography. There will be one more teaser track in late December before Pray to the Knife drops in full on February 16. Check out their other videos on YouTube.

This article was first published on Your EDM. Source: New Artist Spotlight: How Black Bouquet Updated Emo By Adding Early Goth, Electronica and Post Punk [Video]

If you’re a fan of bass house music, you’re probably familiar with German producer/DJ Marten Hørger and his collabs with the likes of Dr. Fresch and BIJOU. However, he doesn’t just reside in the bass house community. Marten previously collab’d with David Guetta on “The Freaks” earlier this year, and he just released his highly anticipated collab with Dillon Francis “On a Trip” as well. We got the chance to talk with the rising German star about his big year, his recent North America tour and how he stays grounded. Check out our exclusive interview below.

Hi Marten, thanks for taking the time to chat with us. Tell us a little bit about yourself, how did you first get into music and what has led you to become the producer that you are today?

“Thank you for having me! Dance music has always been something that touched me deeply. After having a few other projects in Music and Music Business I ended up focusing all my love and attention on making House Music in 2018. My first House record ‘You Don’t’ (with Neon Steve) became a bit of an underground hit. And I started building from there.”

Tell us what it was like touring North America? You’ve really blown up over the past couple of years, what’s it been like seeing the response to your sets in person?

“When I started North America was the continent that supported me first, when no-one car‹ed about my music anywhere else. I still have so much gratitude for that, North America is where my heart is! It’s been great to feel the love for my music and my live shows growing so much since then. But the best thing about it is that I can just be myself, play the music that makes me happy and do only the things that I want to do. I love it!”

What’s it been like playing some main stages over the past year or so including Tomorrowland and EDC? Was that something you ever dreamed would happen?

“I remember writing these exact words on my ultimate goals list:

‘EDC MAINSTAGE & TOMORROWLAND MAINSTAGE (LOL)’.

Note the (lol) behind it. It was a big dream but I never thought I would get there. I think that explains pretty well how it felt when it finally did happen… hahah.”

Speaking of great locations, I heard you go to support David Guetta’s Ushuaïa residency. What was that like having a summer home that’s so iconic?

“It was another dream coming true. It’s the best party on the island and even in the whole world if you ask me. I love David for everything he has done for me.”

I heard you have an internal clock hack and that you always sleep according to your home time zone in Germany. Tell us about that and how you avoid jet lag and other travel related issues like that?

“Hahahah, yes! I always stay in the German time zone, no matter where I am. If it’s 22:00 in Germany I go to bed. All schedules, meals, travel, etc. has to be planned & adjusted accordingly. And my team does an incredible job of making it all happen. With the life I get to live now jet lag & lack of sleep is the biggest obstacle. And everything has changed so much since we solved that. Its magic.”

What do you have planned for the rest of the year and into 2024?

“I’m having a whole month of European shows ahead of me. Followed by my first big Asia Tour in December. Incredibly excited!”

When you’re not producing, what do you like to do in your free time? Any shows on streaming or book recommendations?

“I looooooooove cooking. It’s a big part of my life. But that also means that there is not much time for watching series or movies. So my recommendation is: Sit down and learn how to make epic food instead of burning time on Netflix! It will make you so much happier <3”

Check out the latest from Marten Hørger and Dillon Francis “On a Trip” out now on Universal. Check out Marten’s Parookaville set from earlier this summer as well.

This article was first published on Your EDM. Source: Marten Hørger Talks His Big Year, Touring and His Unique Sleep Schedule [Interview]

Imazee, the artist born out of a profound love for music, takes center stage with his latest Deep House EP, ‘Dark Dream.’ Released via Rebel Musique, the independent label that empowers artists to embrace their destinies, this EP is not just a collection of tracks; it’s a rebel anthem that echoes through the realms of electronic music.

Imazee’s dedication to Deep House is evident in every beat and melody of ‘Dark Dream.’ The EP is a sonic journey that captures the essence of creativity within the genre and Imazee’s evolution as an artist. 

As the beats of ‘Dark Dream’ reverberate, listeners are invited to express themselves through rhythm and melody on the dancefloor. Imazee’s self-taught production and mixing skills shine, creating a seamless blend of sounds that create an invigorating and introspective atmosphere,

Imazee’s passion for music combined with Rebel Musique’s support creates an unstoppable force. The relaxed expression of creativity is palpable in every beat, making ‘Dark Dream’ a must-listen for anyone seeking a dance worthy experience.

Immerse yourself in the musical universe of Imazee on Youtube and discover the Deep House revelation of ‘Dark Dream’ on Spotify and Apple Music.

This article was first published on Your EDM. Source: Imazee Releases Global Groove ‘Dark Dream’ EP via Rebel Musique

There’s no question that deadmau5 is one of the most influential artists in dance music over the past 20 years. If you’re like me, a song like “Ghosts ‘n’ Stuff” is one of the touchstones of electronic dance music. Despite being almost a decade old, “Ghosts ‘n’ Stuff” is still one of the most recognizable and iconic songs in the genre. Despite the prevalence of the original track, it only got a couple of marginal remixes. Now, 15 years later, the track gets perhaps its finest remix to date, courtesy of Jauz.

Jauz’s remix maintains the opening synth line and melody. He also retains Rob Swire’s classic vocal topline. However, Jauz’s version turns the synth melody into strings to give it a more dramatic feel. Jauz throws in a wicked synth loop before the drop incorporates the original vocal and synth melody. Jauz manages to take a classic EDM tune and spin it into a modern powerhouse.

“Making a remix for a song as revered and respected as ‘Ghosts n’ Stuff’ is honestly almost an impossible task,” says Jauz. “It was intimidating and humbling, to say the least. But it was also a great exercise to remind myself how to stop putting pressure and expectation on myself, and just make whatever comes out naturally. I made eight different versions of this remix and this is the only one that really felt like ‘me.’ Thanks to Joel and the team for letting me remix one of the greatest electronic records of all time.  It was an honor and such a cool experience” 

Check out the official Jauz remix of deadmau5 & Rob Swire’s classic “Ghosts ‘n’ Stuff’ out now on mau5trap.

This article was first published on Your EDM. Source: Jauz Drops Incredible Remix of deadmau5 Classic “Ghosts ‘n’ Stuff”

It’s been a great week for collabs between legendary Dutch producers. Hardwell and AFROJACK just dropped their third official collab, “Push It” featuring MERYLL. The duo debuted the track during Hardwell’s Tomorrowland set earlier this summer and it sure seems like it’s going to become a staple in both DJs’ sets.

“Push It” is keeping with all of Hardwell’s previous recent releases, advancing his big room techno sound. The track opens with a psy-trance beat layered over the vocal “Push it, pull it, twist, I’ve got it.” After that it goes to a windy synth breakdown that is trademark AFROJACK. The synth lead starts mixing with the percussion before going into another massive drop combining the bassline and synth melody.

“I’m excited to finally be releasing another song with Hardwell after all these years.” AFROJACK says. “The people loved it at Tomorrowland and I’m happy for people around the world to be able to hear it now.”

“I’m excited we’re finally dropping this collaboration; it’s been a long time in the making.” Hardwell adds. “For years, AFROJACK and I kept bumping into each other and talking up the idea of getting back in the studio together, so I’m glad that time has now arrived and this new collab is getting its release date. We first premiered it at Tomorrowland in the summer, and I recently aired it on my relaunched radio show, Hardwell On Air; now I’m looking forward to including it in my sets in the coming years.”

Check out the latest from Hardwell x AFROJACK “Push It” featuring MERYLL, out now on Revealed.

This article was first published on Your EDM. Source: Hardwell & AFROJACK Team Up For Massive New Collab “Push It”

Tiësto and R3HAB, two of the Netherlands’ biggest stars, have finally come together for their first official collab, “Run Free (Countdown)”. Tiësto has been using this track as the opener in his sets for months, including at EDC Las Vegas and Tomorrowland. While the two artists have previously remixed each other, this is the first proper collab between the two Dutch legends.

The track opens with some blocky synths fading up into the foreground along a siren and the instantly recognizable countdown from 10. Are you ready!!??? The synths and the beat take over, again, if you’ve seen either of these artists over the past six months, you’ll definitely recognize this tune. It all repeats again for a second, even heavier drop. It certainly feels like the bassline rolls even thicker the second time around.

“R3HAB and I have been waiting eagerly to share ‘Run Free (Countdown).’” Tiësto says. “We’ve seen the energy it ignites in our live sets all summer, and now, we’re thrilled to finally share it with the world. This track encapsulates freedom and boundless energy, a true anthem for Mainstage lovers.”

“Tiësto defines the global club culture, and I’m excited to finally join forces.” R3HAB adds. “I shared the idea of ‘Run Free (Countdown)’ with him early this year, and he loved it. We’ve played it over 50 times on iconic stages, including Tomorrowland, Ultra, EDC, and Creamfields, honing the production to its final form. The countdown call-to-action and drop energy combo is special. This is my biggest 2023 club record, and fans have been going wild. I’m hyped to finally share it with the world.” – R3HAB

Check out the latest from Tiësto x R3HAB “Run Free (Countdown)” out now on Musical Freedom.

This article was first published on Your EDM. Source: Tiësto & R3HAB Join Forces For Massive Festival Anthem “Run Free (Countdown)”