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The heart of New York City is beating with anticipation as Sam Silver, the prodigious 21-year-old artist, steps into the spotlight of the club scene. Fresh off celebrating his 21st birthday, Sam marks this significant milestone with the release of “Hold On To You,” a collaboration with Th3rd Brain that signifies a new era in his musical journey. Currently immersing himself in the creative hub of Los Angeles, Sam keeps the essence of NYC at the core of his brand, infusing his sound with the city’s pulsating energy.

His music promises a feast for ears, blending genres like stutter house, vocal chops, Garage, DnB, and House. His latest release “Hold On To You” pushes the boundaries even further; fusing dance with rap and showcasing Sam’s signature sound that has become synonymous with his name. With a vision to introduce “NY Garage” as a new genre, Sam is not just making music; he’s creating a movement that bridges the sounds of The Big Apple with the iconic vibes of UK garage. In his own words: “With my upcoming releases, my vision is to pave the way for a new genre, “NY Garage,” which is Inspired by the rich musical tapestry of his hometown blended with the iconic UK garage sound,” Silver says.

The song’s seed was planted during a night of exploration in Rome’s pulsating nightlife and absorbing its energy. From there it grew to form a captivating narrative on the complexities of love in a world filled with uncertainty, solidifying Sam Silver as not just a beat maker; but a storyteller. 

“Hold On To You” unfolds like a heartfelt novel, capturing the highs and lows of love’s journey. From flirtation to infatuation and ultimately acceptance, the song mirrors the dynamic twists and turns of life, all set to the infectious rhythm of UK garage.

Follow Sam Silver on Instagram, TikTok, and Facebook.

This article was first published on Your EDM. Source: NYC’s Prodigy Turns 21 & Hits the Club Scene with New Anthem: ‘Hold On To You’

Night Tales has built a name for themselves in the house and deep house scene with a very unique sound that has allowed them to crossover into more commercial markets. Their latest single “Ready” is another great tune, with a captivating blend of drums, synths, and horns, expertly crafted by Night Tales to enthrall listeners. The groove-filled instrumental lays a solid foundation for the mesmerizing lyrics that follow.

As the track progresses, it builds anticipation before reaching its climactic chorus, characterized by a deep house bassline seamlessly fused with crisp percussion, ethereal echoes, and commanding vocals. True to Night Tales’ style, the duo keeps audiences engaged with fresh soundscapes and infectious rhythms throughout the latter half of “Ready.”

Delving into the creative process behind the track, Night Tales reveals that “Ready” was born from a collection of samples sourced from Splice and the Serato sampler. This sonic amalgamation incorporates a variety of elements, including melodies, pitch shifters, autotune, and more. The song’s anthem-like quality is further enhanced by the intensity and diversity of the drums, with the duo experimenting extensively with rhythms and musical beds to evoke the desired emotions in the final product.

“‘Ready’ is about the confidence that comes along with someone that feels right for you. In a way, it communicates a sense of commitment in a relationship. On a personal level, the vibe this track radiates is ‘I feel great about where this is going, let’s take it further.’” – Night Tales

Listen below!

This article was first published on Your EDM. Source: Night Tales Release Mesmerizing Deep House Single “Ready”

Bruno Furlan is one of the most prolific tech house artists in the game right now, consistently slinging out groovy, sometimes peak time tracks, that altogether has built an incredible following to his illustrious career.

Now, he’s back, this time teaming up with Deeft for their single “Space Bump” via Matroda’s Terminal Underground imprint. It’s a pulsating underground track that boasts an intoxicating groove impossible to resist. It’s a forward thinking track that sonically lives up to its outer space brand, as deep bass warbles reminsicent of never ending black holes weave in and out throughout the song.

“Excited to share my next single, a tech universe track called ‘Space Bump’ with my good friend Deeft. This track has been a big part of my sets and now it finally has home on Matroda’s imprint Terminal Underground, which will be out on December 1st. Mark your calendars for the last single coming out in 2023.” – Bruno Furlan

Listen below!

This article was first published on Your EDM. Source: Bruno Furlan & Deeft Drop Sizzling Underground Signle, “Space Bump”

Damon Sharpe, a true industry titan, continues to prove his mastery across various facets of the music world. With a successful artist career boasting support from the likes of Armin van Buuren, David Guetta, and Martin Garrix, along with releases on Armada, Insomniac, Hood Politics, Hysteria and dance radio chart success, Sharpe has firmly established himself as a force to be reckoned with. Not content with just his own success, Damon Sharpe took on the role of a tastemaker by founding Brainjack Music. This label is synonymous with his radio show on Insomniac Radio and has played a pivotal role in catapulting artists to stardom and delivering hit songs to the masses.

Sharpe’s talents extend beyond the electronic dance music realm, as evidenced by his work producing for heavyweights like Jennifer Lopez, Kylie Minogue, Pitbull, Ariana Grande and more. His diverse skill set positions him as a jack of all trades in the music industry. That’s why we’re absolutely thrilled to cover Damon Sharpe’s latest release, “Wherever You Go.” This track is a perfect blend of nostalgia and freshness. Viiq’s ethereal vocals add a
magical touch, making it a must-listen for fans of innovative and captivating electronic music. Do yourself a favor and dive into the sonic world of Damon Sharpe’s “Wherever You Go” – , available on Apple Music and Spotify on Brainjack Music and Liftoff Recordings.

Catch Damon Sharpe live at Slate NY on Saturday November 18th 2023 for his very first east coast headline show with support by Alo Wiza and Torie.

This article was first published on Your EDM. Source: Brainjack Music Founder Damon Sharpe Drops EDM Perfection With ”Wherever You Go”

In the dynamic landscape of contemporary music, a new star is rising, captivating audiences with her unique blend of rhythms and melodies. Meet NIVANA, the pop sensation who is redefining the music scene with her electrifying fusion of funk, disco, and pop. NIVANA isn’t just a musician; she’s a movement, bringing retro charm into the modern era with a style that’s as refreshing as it is nostalgic.

From a young age, NIVANA was enchanted by the world of music. Raised in a quaint town, she found her escape in the timeless tunes of disco legends. The pulsating beats and catchy melodies of icons like Donna Summer, Michael Jackson, and Earth, Wind & Fire didn’t just fill her ears; they fueled her dreams. These influences are evident in her music, which sparkles with the same shimmering energy that once lit up dance floors around the world.

NIVANA’s songs are more than just a collection of notes and lyrics; they’re a vibrant tapestry of emotions and experiences. Her music resonates with those yearning for freedom, self-expression, and unadulterated joy. Her voice, unique and unmistakable, weaves through her tracks, creating an immersive experience that transports listeners straight to a neon-lit dance floor where the energy is infectious, and the night never seems to end.

But NIVANA’s impact extends beyond her music. She stands as a beacon of inclusivity and empowerment, using her platform to foster a sense of community and celebration among people from all walks of life. Her message is clear: everyone is welcome in the world she’s creating, a world where individuality is not just accepted but celebrated.

As NIVANA continues her meteoric rise in the music industry, she invites us all to join her on this exhilarating journey. With each song, she redefines what disco means for a new generation, proving that this beloved genre can evolve while staying true to its roots. So, get ready to dance, to feel, and to be part of a musical revolution with NIVANA, the artist who’s not just making music but making history.

This article was first published on Your EDM. Source: NIVANA: Reviving Disco with a Modern Twist on ‘Merry Me Santa’

Since their creation, the Danish trio WhoMadeWho has been a driving force in pushing the boundaries of music, seamlessly blending Indie, Disco, and Techno into an electrifying fusion that continually leaves audiences in awe. Comprising Tomas Høffding, Tomas Barfod, and Jeppe Kjellberg,  the band has built a discography that spans over a decade. With a legacy that stretches from Circoloco to Coachella, their live performances have garnered a reputation for being nothing short of legendary. Memorable performances, such as the legendary Cercle appearance at Abu Simbel temple in Egypt, and their widespread collaborations with electronic music elites, have solidified their reputation as trailblazers in the industry. Their musical evolution is evident in their seven studio albums, with the 2022 release UUUU receiving widespread acclaim for its fresh and innovative sound.

Now, they’ve announced their forthcoming and highly anticipated new live tour, promising to be a groundbreaking and unforgettable experience and will feature a brand-new mesmerizing stage design crafted in collaboration with the worldwide renowned architecture group BIG (Bjarke Ingels Group), cutting-edge visuals brought to life by flora&faunavisions, EyeMix Studio, and Christopher Mulligan, and, of course, all of the signature sounds that have defined WhoMadeWho as a globally renowned electronic live-act.

“We cannot wait to present this new project, which is by far the most ambitious and elaborate we have ever worked on. With the help of several astonishing artists of different fields, we will this year, be able to connect with our fans in a new progressive and immersive way.” – WhoMadeWho

This tour is expected to showcase the band’s creativity, energy, and commitment to providing an unforgettable live experience. The future of live performance and electronic music is unfolding, and WhoMadeWho stands at its forefront.

Check out the full list of dates below.

This article was first published on Your EDM. Source: WhoMadeWho Shares Dates For Forthcoming Live World Tour

Multi-disciplinary musician and producer Lauren Mia recently released her highly anticipated debut album RE:BIRTH – an impressive 13 track composition is a vulnerable and symbolic tale of growth, self-reflection and actualization that drives through the tracks and into the spirit of her audience.

Boasting expertly produced analog soundscapes and ferocious melodic chord progressions, the album expands upon the composer’s roots in Melodic Techno and Progressive House. Starting off with “Initium”, the Latin word for beginning, the album’s triad of singles leading up to its ultimate release follow, which put just a sample of Lauren’s musical range in the spotlight. Listeners saw the shadow-work inspired “Shadow”, plant medicine influenced “Ceremony”, and flow-state fueled “Ashes In Paradise” showcase the diversity to be expected from her first full body of work.

With her first hard techno deliveries like “444”, expansive melodic spectacles like “OliM”, brooding progressive productions like “Fidelity”, and energetic, percussively eclectic installments like “Lakshmi” – RE:BIRTH is a full-bodied delivery of expansive electronic music that while varied, unequivocally boasts Lauren Mia’s impactful, dynamic signature sound throughout each of its measures.

Watch the story to the album and have a listen below!

This article was first published on Your EDM. Source: Lauren Mia releases impressive debut album – RE:BIRTH

Returning with his first release in two years, Martin Vogt, better known in the space as Haywyre, recently delivered his latest Monstercat single “White Lie”. Making a welcome return to the marquee electronic imprint after 7 years, “White Lie” is a buoyant, introspective production that sets the stage for a series of new releases fans can expect from Haywyre in the year ahead.

Building with an expansive, brooding soundscape and striking vocals, the arrangement of “White Lie” leads into a driving, future-funk fueled breakdown. Featuring Haywyre’s diverse production palette, he fuses an unexpected blend of synths, strings, piano, bass and vocal chops with finesse for his return to Monstercat.

On the new release, Haywyre shares, “I’m proud to finally get my first track in two years into the world. Especially one like ‘White Lie’, which I feel really shows a glimpse into where the Haywyre project is going.”

Midwest US based Haywyre fuses his foundation classical and jazz piano training with an affinity for 21st century electronic production. With a history in live music preceding his foray into electronic, he delivers a dynamic, hybrid performance style to the stage.  Haywyre has brought his future funk and melodic glitch-hop inspired sound to the stages alongside top acts of the likes of Griz, Zedd and Gramatik. Having done official remixes for major pop acts like Charlie Puth, in 2021 he received a GRAMMY nomination in the category of Best Remixed Recording for his remix of “Young & Alive” (Bazzi vs. Haywyre Remix).

His songs have a laid-back yet adventurous feel, drawing from dubstep and glitch-hop while we simultaneously hear his background in funk, classical, jazz and house music perpetually shine through. After establishing his sound with early self-released albums such as 2010’s Of Mellows and Revelations, Haywyre produced more intense, complex works like 2016’s ‘Two Fold, Pt. 2’ (Monstercat), with nearly 50 million streams on Spotify alone, later switching to a futuristic disco/funk hybrid with 2018’s Panorama: Discover.

Check it out below!

This article was first published on Your EDM. Source: Haywyre returns to Monstercat for first original single after a two year hiatus – “White Lie”

Christopher Sluka is usually known for his serious, highly technical, expertly composed orchestral work with a hint of synth, but his newest effort is anything but serious. Unless you’re from Mexico or the American Southwest, that is. Those of us living anywhere from Colorado to Baja California know just how important tamales are year-round, not to mention Christmas. Now, “Christmas Tamales” is the anthem to the corn-based parcels we always needed for the season, thanks to Sluka and his band, the aptly named SLUKA.

The lore of the tamale is vast and varied, its origins dating back millennia to Mesoamerican cultures but their current form, which inspired Sluka’s rousing Christmas ode, are still very much a staple wherever one might find a large Hispanic culture. Made of a corn masa base and wrapped usually in corn husks (in Southern Mexican and Central American areas, banana leaves are also a possible choice), they vary in terms of their flavor and filling. Traditional savory choices are usually chicken or pork with some sort of mole (sauce), but there are veggie green chile varieties as well as loads of sweet options with white corn and filled with raisins, pineapples of mangoes.

In Southern California where Sluka likely discovered the traditional pocket food, tamales are available all year long at restaurants, taco trucks and even at many places of business, where industrious home cooks will sell them to hungry workers. These homemade, fresh tamales are considered the best ones among SoCal residents in the know; until Christmas, of course, when loads of abuelas from all different regions and will all different recipes get out their big pots and start to make them for family and friends. The Christmas tamale-giving season usually starts right after Thanksgiving (with delicious turkey tamales making an appearance, of course) and lasts through the New Year. Anyone lucky to be a family member, friend or neighbor to someone who makes tamales knows truly how magical they are, and it’s clear this is the type of tamale about which Sluka and his band are singing their praises.

The song itself is much more lighthearted and fun than SLUKA’s usual work, which tends to be dense, emotive and complex. Clearly intended at least partially for kids, “Christmas Tamales” is joyful song, easy to sing along to with pretty simple lyrics, almost like a Christmas Carol. It’s still got that SLUKA flare, however, with loads of warm, ambient sound design and synth supporting the well-composed and produced music. Sluka’s vocals themselves are booming and jovial with just a touch of cheek, sort of like Jack Black’s in Tenacious D songs. A perfect carol to everyone’s favorite Christmas food in Mexico and the American Southwest.

Sluka and his team also created an equally fun and family-forward animated video for “Christmas Tamales” using AI made by SLUKA bass player, Anna Eppink. The video is a wild ride through a Christmas wonderland where yetis shop for and prepare the Christmas tamales. Tamales also dance in the sky as the band play the song. Whimsical, festive and kind of trippy, it’s what one would expect if SLUKA did a Christmas video.

While there are likely other songs about the Christmas tamale tradition, this one done with such gusto and fun means “Christmas Tamales” could be an instant classic. With nearly 200k views on the YouTube video already and 30k streams on Spotify, it’s well on its way to becoming a household holiday song and it’s a great way to tease SLUKA’s upcoming album.

This article was first published on Your EDM. Source: Thank You SLUKA! There’s Finally a Song About ‘Christmas Tamales!’ [Video]

It might have come as a surprise when it was announced that S.P.Y, the elusive DJ, producer and now label boss of DARKMTTR Records, would be taking over the legendary XOYO in London for the whole of November. The Brasil-born mega DJ generally only picks the gigs he’s really excited about and, with his release schedule, both label and personal, many fans might wonder how S.P.Y could make time for four Fridays. Turns out it was a simple decision for him.

With the well-oiled machine that is Weird Science Promotions running most D&B gigs at XOYO (they’ve also got the likes of Grooverider, Andy C and the whole Kool FM lineup slotted for December and early 2024), and a ready-made lineup at his disposal, the first three gigs have gone off without a hitch and the series closer, taking place this Friday, promises to be a great sendoff for S.P.Y and company. The likes of Calyx, MC GQ, Etherwood, Lowqui, IAMDOOMED, Alley Cat, Voltage, Kyrist and Flava D on the roster, every week was as stunning and vibey as the last, with a super blowout for the last date (read on to find how who the special guest will be tonight).

We don’t want to yammer on too much about the other stuff we chat about, because S.P.Y gave loads of excellent answers, but suffice it to say if you were looking for tips and tricks from a master producer as well as how he does his A&R, this is the article for you. Per his name, S.P.Y usually keeps his secrets close so YEDM feels very lucky he was so open in this article and we appreciate his taking the time. Now read on and enjoy spying on S.P.Y.

As a producer who seems to live in the lab and who only does the gigs you really enjoy, what made you decide to do a residency at XOYO?

XOYO is such a legendary club, so I felt quite honored to be asked to host a residency there. It’s an amazing opportunity to curate my own lineup and share with people, the DJs and producers that I really admire and respect. Funnily enough, it’s actually got me spending even more time in the studio as I’ve been busy finalizing new tracks to play at the residency. I know that everyone who’s coming down to XOYO are there because they like my sound, so it’s really rewarding to be able to drop some exclusive new tracks and mixes just for them.

We’re just about halfway through the November dates (at time of interview); what have been some of your observations about the gigs? What are you looking forward to in the upcoming gigs?

I can’t believe we’re already halfway through! The crowd at the first two nights has been absolutely incredible. They’ve been so up for anything and have really been vibing to all of the DJs, it’s such a great feeling to get to play to such a responsive crowd. It’s also been great to get to see the other DJs play. Usually I’m so busy touring that I’m in and out and onto the next show. For each night of the residency I’ve been there from start to finish and have got to enjoy everyone’s sets and really make the most of the night. Each night of the residency has a totally different lineup with a different sound, so I’m looking forward to dropping some more dubs at the next two nights. I’m also really looking forward to going back to back with Bladerunner and Flava D, that will be special!

How did you pick the lineups for each week? How did you decide to work with Lowqui as your MC?

While it seems like it would be really easy to curate a lineup, it was actually really difficult as there were so many people that I wanted to book. I was lucky that the final lineup had everyone that I really wanted and each night has come together nicely. I wanted to make each night unique, so the four lineups reflect that. I listen to a really wide variety of drum and bass so I felt it was important to cover all the different sounds that I enjoy.

I really like working with Lowqui, he’s got a great vibe as an MC, he’s a mad hype man and he always interacts well with the crowd. It’s also been great to work with some other MCs during the residency too, like Inja, Stamina and SP:MC, they each have such a unique style and add a different flavor to my set.

Coming off XOYO for a bit, you’re coming up on year three of your DARKMTTR label and it seems curation is very important to you, and that you’re not looking for big names to release but it’s more about the sound. How would you characterise the sound of vibe you generally go for? Is it only you on A&R, or have you brought in some help?

The sound of DARKMTTR is really varied. The label releases everything from dark and minimal, to moody and musical, although I feel like all of the releases seem to have a deep, heavy undertone to them, even the more atmospheric tracks. I always knew that when I started a label I didn’t want it to be pigeonholed into just one sub-genre so I really wanted it to reflect my taste in music. It is only me doing the A&R for the label and I really enjoy doing it. I use a DJ-based approach to A&R and the first thing I ask myself when selecting a track is, would I play this in my sets? Every track that I’ve signed to the label is one that I would – and do – play myself. I’ve always wanted to do A&R and it’s one of my favorite parts of running a label. It’s really rewarding to discover new music and help producers work up their tracks so they’re ready to release.

What are some things you’ve learned over the first three years of DARKMTTR about running a label? How has it measured up to your expectations when you started it?

I’d wanted to start a label for years and I always knew it was going to be a lot of work but nothing really prepares you for the day to day reality of running a label. It’s been a really interesting experience seeing the music industry from a label perspective. I’d only ever seen it from the artist side so it’s been quite a learning curve to see what’s involved in getting a release out there. Scheduling, budgeting and A&R, they’re all things that you aren’t responsible for as an artist and may not fully understand, but they’re vital when running a label. I’m grateful that I have a solid team around me who share the vision of the label. It’s so rewarding seeing the label grow, I can’t believe we’ve had 21 releases already!

How do you decide which releases of your own will go on DARKMTTR and which you will shop other labels? Is that a difficult decision?

It is difficult. I release most of my music on DARKMTTR, but sometimes due to scheduling I will look for other labels to release my music. If I released everything I have on DARKMTTR there would be no room in the schedule for the other artists!

Are there any upcoming releases that tie in with the XOYO residency that you can talk about? Did the release schedule inform your decision to do the residency?

The second night of the residency was actually the release day for “Take Me Up,” my new collaboration with IAMDOOMED. IAMDOOMED played at XOYO the same night and it was like an unofficial release party. It was amazing to play the track with him there and to see the crowd reaction. The release schedule didn’t inform my decision to do the residency, but it was great that IAMDOOMED could play on the same day.

Talking a bit about style and sound, in the last few years you’ve been doing a lot of deep and atmospheric stuff but not necessarily melodic. What makes you inspired to change things up and how do you come up with your more unique sounds?

Producing music is such an organic, creative experience for me. I can’t force a vibe or make myself produce a certain type of sound. My music is an expression of how I’m feeling emotionally at the time, or what’s going on in my life. Depending on what I’m feeling inspired by I can produce something totally different to other things I’ve been producing lately. I spend a lot of time working on sound design which seems to give me some quite unique sounds. I also have a lot of analog and modular equipment in my studio and I try not to be too technical with it. Late nights in the studio, a bit of sleep deprivation and a lot of experimentation seem to combine to produce some really interesting sounds. Basically I just have fun with it and see what I can create!

Having been in the game for a while, how is it to create tracks with current methods versus 15 years ago? Do you use a combination of techniques? What sort of softwares or programmers do you use?

To be honest, I haven’t really changed the way I produce. My sound has definitely evolved over the years, and I try to keep my production relevant sonically, but my techniques really haven’t changed that much. One thing that I’ve definitely changed over the past few years is my sampling. I used to sample a lot for all of my tracks, however now I create all of the sounds myself. Learning more about sound design has opened up a whole new realm creatively for me and it’s really satisfying being able to use my own sounds. I’ve been enjoying sound design so much that I’ve even started releasing my own sample packs.

I listen to a really wide range of electronic music and recreate some of the techniques from other genres with my own twist. I’ve been using Abelton Live since version five and I’m really loyal to it, it’s a brilliant production tool. I also use a Solid State Logic (SSL) desk for summing my tracks in analog, which creates a really nice warm texture for my tracks and of course I listen to everything through my PMC speakers.

Is there anything else you have coming up in releases or gigs that we didn’t mention?

We have a release coming up on DARKMTTR in December; it’s a double release: a collaboration I’ve done with DJ Limited and another of his tracks which has an amazing vocal. I’m going to be dropping the track at XOYO so I’m really looking forward to seeing what the crowd think! Rolling into 2024 we have a bunch of new releases and collaborations lined up for DARKMTTR, but I have to keep everything under wraps for now. Keep your eyes on S.P.Y and DARKMTTR socials to see what we’ve got going on.

Any advice for new producers out there?

I think the main piece of advice I could give is to never stop learning. Keep improving your sound and your production, keep learning new techniques and watch as many tutorials as you can. Also, I think it’s quite easy to give up if you’ve submitted a few tracks to labels and haven’t had anything picked up. Most of the time, it’s just that those particular tracks aren’t right for that particular label, or maybe you just need a bit more experience, or you need to refine your sound. Don’t give up, keep producing and keep sending in those demos! One trick I can share is to A and B the track you’re working on with a similar track that has been released to see if you’re on the right track sonically.

S.P.Y’s last XOYO set will be tonight, November 24 at XOYO. For clips and info, check S.P.Y’s socials or Weird Science Promotions’ Instagram. For upcoming DARKMTTR releases and to hear S.P.Y’s latest track with IAMDOOMED mentioned in this article, click here.

This article was first published on Your EDM. Source: Your EDM Q&A: S.P.Y on His recent XOYO Residency, Two Years of DARKMTTR and His Advice for Producers