Gryffin Releases Summer Anthem “New Blood” with Boy Matthews [LISTEN]

Gryffin recently unleashed a brand new summer anthem, “New Blood” out now.

This bright, catchy release features Boy Matthews, who’s also collaborated with Duke Dumont, Hayden James, and Oliver Heldens. His powerful vocals lead the fine-tuned, dance-infused pop production into a singalong realm, perfect to soundtrack the season.

Gryffin is heating up in 2021, with a stream of successful releases and remixes including “Best Is Yet To Come” with Kyle Reynolds, a slowed version of “Tie Me Down” with Elley Duhé, “I Want Love” with Two Feet and an acoustic version of “Safe With Me” with Audrey Mika.

Listen to his latest, “New Blood,” right here!

Gryffin – New Blood (with Boy Matthews)

Stream/download: gryffin.lnk.to/NewBloodPresave

 

Photo via Rukes.com

This article was first published on Your EDM. Source: Gryffin Releases Summer Anthem “New Blood” with Boy Matthews [LISTEN]

Excision’s Subsidia Label Releases Newest Volume Of Melodic Bass On “Dawn: Vol. 4”

This fourth installment of Subsidia’s Dawn series features ten swoon-worthy tracks, including Dion Timmer and Excision’s “Broken Pieces” with Monika Santucci, previously released on Dion Timmer’s album, Arcane. Additionally, fans will find tracks from N3WPORT, OMAS, FREAKY, Riell, and Brainrack, and newcomers to the Subsidia family, CHENDA, Eyezic, T A N E, Avello, FIGMVNT, Raiin, AYCH and more. These talented artists have created a melodic soundscape for all to enjoy, complete with warm melodies and intricate beats alongside
euphoric vocals that make hearts soar.

Dawn: Vol 4 is the tenth collection from Subsidia since the label’s launch in September 2020. This series is dedicated to the softer, melodic side of bass that embraces the emotional and encourages a wide range of lyrical expression.

Listen below!

This article was first published on Your EDM. Source: Excision’s Subsidia Label Releases Newest Volume Of Melodic Bass On “Dawn: Vol. 4”

Swedish House Mafia Return Full Force with BBC Radio 1 Dance Weekend Mix [LISTEN]

After almost 10 years, BBC Radio 1’s Dance Weekend hosted the first returning mix from Swedish House Mafia — and it’s available to stream now!

The exclusive mix powers through 24 tracks in 30 minutes, starting off with their recent release, “It Gets Better,” and ending with another, “Lifetime” featuring Ty Dolla $ign & 070 Shake. The EDM supergroup also works in classic hits like “Antidote,” “One (Your Name),” “Greyhound,” and “Leave The World Behind.”

Plus, music from individual members Steve Angello, Axwell and Sebastian Ingrosso, and four brand new IDs sprinkled throughout. While there’s no attribution for the unreleased productions, they seem to be on par with the modern SHM sound.

The world is most definitely ready for the return of Swedish House Mafia. In the brief opening interview the trio shares, “getting back together was the only answer.”

Check out the full tracklist below and listen here to the high-energy quintessential mix from SHM!

Radio 1’s Dance Weekend – Swedish House Mafia

1. Swedish House Mafia – It Gets Better
2. Steve Angello – Teasing Mr Charlie
3. ID – ID
4. Jay Robinson – Free Again (Axwell Cut)
5. Buy Now – For Sale
6. ID – ID
7. Steve Angello & Sebastian Ingrosso – 555
8. Eric Prydz – Slammin’ (Axwell Remix)
9. ID – ID
10. Swedish House Mafia – Antidote
11. Steve Angello & Laidback Luke – Be
12. Axwell – I Found U
13. Axwell – I Found U (Dubfire Remix)
14. C-MOS – 2 Million Ways (Axwell Remix)
15. Steve Angello – Rave N Roll
16. ID – ID
17. Diddy – Jack U (Angello & Ingrosso Remix)
18. Axer – 123
19. Daft Punk – Burnin’
20. Swedish House Mafia – One (Your Name)
21. Swedish House Mafia – Greyhound
22. Swedish House Mafia & Laidback Luke – Leave The World Behind
23. Axwell – Nobody Else
24. Swedish House Mafia – Lifetime

 

Image by Hannes Soderlund

This article was first published on Your EDM. Source: Swedish House Mafia Return Full Force with BBC Radio 1 Dance Weekend Mix [LISTEN]

REPORT: SnowGlobe Music Festival Will Not Return to South Lake Tahoe

SnowGlobe Music Festival will not be returning to South Lake Tahoe, according to local reports.

Back in 2019, SnowGlobe signed on for five more years with one caveat — organizers would have to find a new location more suitable to host the festival. Previously, the event took place at the Community Playfields near the Lake Tahoe Community College campus. Despite exploring a number of potential sites, SnowGlobe was unable to lock down an alternative.

Thus, the South Lake Tahoe city council decided on Tuesday that the festival was in breach of contract as of the deadline on June 18, 2021. The future of the multi-day New Year’s Eve festival is uncertain following this development, but it’s possible organizers are still looking elsewhere.

“Literally and figuratively — the chillest festival ever,” in collaboration with Viacom’s MTV, intended to return this year. The event’s Instagram account still reads, “In Hibernation Until December 29-31 2021.”

The festival’s latest update came in 2020, which would have marked SnowGlobe’s 10th anniversary: “We are so grateful for the community that has supported us and made the last decade of shared experiences so memorable. Rest assured that when the world allows, we’ll be back and ready to celebrate.”

In recent years, SnowGlobe was challenged by local complaints, mostly due to fireworks (not decibel level). The festival also settled an environmental lawsuit.

So far, no official word from SnowGlobe on the future of the event.

 

Sources: Tahoe Daily Tribune, SFGate | Photo via SnowGlobe Music Festival 

This article was first published on Your EDM. Source: REPORT: SnowGlobe Music Festival Will Not Return to South Lake Tahoe

Daybreaker Teams Up With The Brothers Koren For Uplifting Single “Joy Generation”

Daybreaker is a morning dance community of 500,000+ members in 28 cities around the world that inspires humans to start their day unlike any other—by waking up and dancing. If you’ve ever been to an event, then you know that this experience is unlike any other.

They’re known bringing people together for sober morning dance parties in the most iconic locations around the world – the White House, World Trade Center, Smithsonian Museum, The Sydney Opera House. After shuttering their IRL experiences for 14 months, on the heels of a 9-sold out stadium tour with Oprah and WW in early 2020 –they’re officially back at it.

It’s an exciting time for this movement and they’ve now teamed up with talented songwriters, The Brothers Koren, for what is an uplifting, momentous single, “Joy Generation“. Channeling the likes of Mumford And Sons, MGMT, along with Aloe Blacc and Avicci tones, “Joy Generation” is an infectious single that can’t help but want to put a smile on your face and start your day off right.

Female led Daybreaker founder Radha Agrawal explains the unique creative process that made this song so special:

“In March 2020 we began a new experiment hosting dance parties from our living room. We ended up serving over 200K people in 112 countries to dance and invite joy into their homes during the height of the pandemic, when spirits needed it the most.

We asked our community members to stick around after to write our new Daybreaker anthem with us. 350+ community members stayed to attempt something never done before: to lace together a song while miles apart, expressing the palpable anticipation of a return to IRL. We longed for an anthem that would take us out of the darkness and into a new more hopeful generation.

The Brothers Koren masterfully shepherded us through the process of co-creating the song. Someone would spontaneously unmute themselves and provide a note, then another, and another: ideas. phrases, lyrics floated across the web. We jammed, we cried, we laughed…And then suddenly, we had an anthem, freeing and naming us: The Joy Generation.“

Listen to “Joy Generation” below!

This article was first published on Your EDM. Source: Daybreaker Teams Up With The Brothers Koren For Uplifting Single “Joy Generation”

HARD Summer Delivers As Festivals Make Their Triumphant Return [REVIEW]

This past weekend, HARD Summer made its triumphant return after having to cancel in 2020 due to the COVID-19 pandemic. Shifting from the Fontana Speedway to Insomniac’s homebase, the NOS Events Center in San Bernardino, HARD gave fans an exuberant and satisfying return to massive festivals. Despite the oppressive afternoon heat, HARD Summer 2021 has to be qualified as a massive success. This year’s HARD truly embodied the festival ethos that all are welcome and there’s something for everyone’s unique taste.

From dance music stalwarts like Dillon Francis, Jauz and Kayzo, to top 40 rappers like Future and 2 Chainz, to genre-defying artists like A-Trak, Kaytranada and Elohim; HARD Summer always features one of the most diverse lineups on the festival circuit. This year, Insomniac managed to step up the scope and scale of the festival and make it feel as massive as Coachella. HARD Summer is a “massive,” and Pasqualle Rotella and his team did not hold back this year. Here’s a breakdown of the good and bad of HARD Summer 2021.

As to be expected, there were some kinks getting into and out of the festival on the first day. Although Insomniac has dedicated free parking lots, which are greatly appreciated, once it gets past a certain time of day, it’s just really difficult to get into the festival. Traffic was at a standstill coming off the Mill Street exit off the 215 Freeway. Despite trying to drive around the perimeter of the festival grounds, I still found myself parking far away along the border of the residential neighborhood/massive Amazon shipping center.

Once I got into the festival grounds, I was blown away by the scope and size of the festival. HARD Summer unlocked parts of the NOS Events Center grounds that had not yet been explored in previous festivals. While the festival grounds were easy to navigate and had clear directions and signage, it was just a lot of ground to cover. The heat was also a factor; while there were shaded and misted areas, but it almost wasn’t enough as the early afternoon heat was blistering.

Although the scale of the festival was massive, the payoff was there at all the stages. The HARD Stage took on the guise of the Coachella Stage, just a massive beacon of lights and steel. The HARDer Stage didn’t pull any punches this year. It was just another version of the HARD stage, beckoning the masses to come forward. Both the Purple and Green Stages deserve massive kudos for their unique production design. However, the Green Stage was the surprise of the weekend!

Usually, the Green Stage is absolutely packed to the brim; it’s essentially the dubstep stage, so having a packed crowd is ideal, but like the Sahara Tent at Coachella, the stage needed to evolve to fit the times. Enter this year’s Green Stage which was wide open and featured low-hanging misters which made it the place to be if you wanted to chill with friends. Unlike past years where you couldn’t breathe at Green Stage, this year’s stage was a breath of fresh air.

This year’s HARD was also a great festival if you had multiple friend groups going and you wanted to bounce around stages. Again, HARD is eclectic by nature, so you might have friends who will spend all day at Green Stage or Pink Tent. It’s fun taking a break from the main stage to check out something you might not have thought about. Case in point, I didn’t expect to leave HARD or HARDer stages, and I had great times at Green and Pink Stages. HARD is all about the homies, and for whatever reason, this year’s festival made it perfect for connecting with friends old and new.

As was mentioned, the lineup for HARD Summer was second to none. Despite thinking I wouldn’t spend much time at the Purple Stage, sure enough, that was my first destination on Day 1, as I saw Mr. Carmack throw down some vibey trap that perfectly set the mood for the weekend. From there, I made my way to the HARDer stage for some of Born Dirty’s filthy house beats. I headed over for my first glimpse of the HARD stage for Yultron’s set, and he did not disappoint. This was certainly the first time the crowd gained critical mass and Yultron delighted the audience with his blend of hardcore, hardstyle and dubstep.

After enjoying some of Yultron, I headed back over to HARDer stage for some of Wax Motif’s set. His unique bass house stylings and impeccable visuals were the perfect intro for the throng of headliners heading into the festival grounds. After that, Jauz at the HARD stage was the place to be. The Southern California sky transformed from day to night as Jauz dropped hit after hit, mashup after mashup. From “Gassed Up” to “Ghosts & Sharks” to “Rock the Party,” Jauz’s versatility was on display for all to see. If you were like me, this was the first great moment of the weekend.

Not to be outdone, the next set at the HARD stage was RL Grime b2b Baauer. At this point, we know their side project is HÆRNEY, and the HARD crowd was delighted by a mashup of some of the two DJs greatest hits, as well as some IDs and edits that put them in the Jack U / Dog Blood pantheon of HARD super groups. From there, rap superstar Future closed out the night dropping a bevy of hits including “Mask Off,” “Same Damn Time,” “Bugatti” and many more. The crowd was vibing hard with Mr. Hendrix. Shoutout to his intro, where he leaned into all the memes that he is now a part of.

Day Two was equally as hot, though I went much earlier, so traffic and parking were not an issue. Those who did arrive early found no respite from the heat though. The crowds were miniscule up until JOYRYDE’s set at the mainstage at 5:50 PM. I watched all of Nitti Gritti b2b Wuki, their set was upbeat and energetic, but the crowd was miniscule and the heat oppressive. While the entire festival seemed to converge on JOYRYDE, I found myself wishing for more during his set. I didn’t hear any new IDs or sounds that perked my ear up.

From there I headed over to the Green Stage for the first time of the weekend to catch Bad Boys Club (Cray X GG Magree). They came out in cute matching pink button Louis Vuitton shirts and matching bucket caps. The crowd was energetic and enraptured, and while their mix of bass house was dope, they played several JOYRYDE songs, right after JOYRYDE played! Regardless, I can see Bad Boys Club becoming a Green Stage staple.

It was the HARD stage from there on out as I made my way to 2 Chainz’s set. The legendary rapper did not disappoint, dropping an array of hits including “Big Bank,” “I’m Different,” “No Lie” and so much more. This was the vibe Future closed out with on Night 1, so you know that Night 2 is going to go off after this. Sure enough, Dillon Francis did not disappoint. One of HARD Summer’s absolute veterans, Dillon delivered an all-time set, recalling the scope and grandeur of some of his Coachella sets and delivering for all his fans in attendance. Dillon dropped incredible IDs with Eptic and TV Noise, some of his greatest hits including “Say Less,” “When We Were Young,” “Let it Go,” “Bomboclat,” and a moment that slayed the crowd, when he dropped My Chemical Romance’s classic, “The Black Parade.”

After that, DJ Snake and Malaa took over, as the HARD Stage sign turned to the French tri-color, blue, white and red; and Pardon My French dominated the night with some great house music. While the crowd was congregated there, the best set was actually going on at the Green Stage. At the behest of a knowledgeable friend, I head over to the Skream Old Skool Dubstep set. The bass and wubs were heavy as the comfortable and dispersed crowd delighted in the nostalgia of traveling back to 2007-2010 era dubstep.

HARD Summer 2021 was right on the mark, both meeting and exceeding expectations. The music and lineup was incredible. The vibes were pretty darn good too. For the first festival back after the Pandemic, HARD delivered on all levels. I can’t wait to see what Insomniac has in store for Beyond later this month.

This article was first published on Your EDM. Source: HARD Summer Delivers As Festivals Make Their Triumphant Return [REVIEW]

Alison Wonderland Teases New Music Under Whyte Fang Alias [PREVIEW]

Alison Wonderland is recharging her alias from a decade ago and we absolutely love to hear it!

Earlier in 2021, Whyte Fang became active again on social media. Now, we get to feast our ears on the project’s first ID in years as AW presents the first new era “WF ID in the metaverse.”

In the past, the genre-bending alias has taken an alternative approach to electronic music, fusing elements of industrial, bass, trap, synth, pop and beyond — but we can only imagine how the Whyte Fang sound has expanded over the years.

So far, no word on when new music might be released, but remember, she said “2021.”

A website for the project — www.whytefang.com — has also appeared.

Listen below and explore Whyte Fang music here.

Whyte Fang – ID

 

View this post on Instagram

 

A post shared by Whyte Fang (@thewhytefang)

 

Photo via Ivan Meneses for Insomniac Events

This article was first published on Your EDM. Source: Alison Wonderland Teases New Music Under Whyte Fang Alias [PREVIEW]

Party Favor Marks New Phase Of His Career With Gritty Trap Cut, “Save Me” via Ultra Music [WATCH]

Party Favor takes an unexpected route and faces inner demons with his latest original, “Save Me.”

The song starts up and a voice calls out — “I need someone to save me” — as an emotional build sweeps in, soon dropping into a gritty, electrifying arrangement. Backed by heavy drums, deep chants, and steady growls, there’s a consistent, haunting nature heard throughout this trap-forward production.

Party Favor, real name Dylan Ragland, shares in his own words:

“Save Me” is an ode to the demons we’re all fighting constantly. Everyone’s going through something different all the time, and for me that’s dealing with anxiety. This song comes from the perspective of a person’s subconscious mind trying to rid itself of those demons, even when they keep coming back time and again.

Party Favor recently signed with Ultra Music, marking a new era of releases with a more melodic approach, starting with “Save Me.” It’s obvious the project has shifted since the lockdown and we’re excited to hear it evolve.

Watch the official music video for “Save Me” right here!

Party Favor – Save Me

Stream/download: https://partyfavor.ffm.to/saveme

 

Photo via Rukes.com

This article was first published on Your EDM. Source: Party Favor Marks New Phase Of His Career With Gritty Trap Cut, “Save Me” via Ultra Music [WATCH]

New Artist Spotlight: Electro Hip Hop Duo Sup? Say ‘I Quit’ to Standard Release Formats

Comprised of producer/instrumentalists Guy Zalaxy and Bucky Skullet, Sup? is a hip hop duo with electronic flare and a very specific vision for the future of their music. Their very first single, “I Quit” and their full album of the same name, will only be available to purchase on NFT, and there are only 100 copies. Part of an ever-growing climate where labels are becoming obsolete and with no other option to track and recoup royalties (some artists have made it a second full-time job while others are missing out on thousands every month), Sup? not only decided locked content was the best way forward, but they were also inspired by the Crypto/NFT boone.

 We’ve opted to to deliver our genesis record in the NFT format, which feels appropriate considering cryptocurrency and decentralization has offered financial freedom to so many, and has actually enabled many people to Quit their jobs or previous lifestyles. If you are holding a crypto bag, this one is for you.

Through this process, Sup? has also tried to re-examine what it means to be a “quitter,” and they put it to their listeners that it shouldn’t necessarily be a pejorative. Conjuring images of the legendary Scarface “fuck you, fuck you, fuck you, you’re cool…fuck you, I’m out” scene in Half Baked, “I Quit” declares that there is something empowering in leaving a toxic or stuck space and making the decision that you deserve better. Many people have been thinking about such things while stuck inside for the last 18 months, and culture has been changing around the idea of self-care and self love. “I Quit” seems, then. to be an anthem of that self-love and of feeling happy with one’s choices.

Society has always tried to reinforce the idea that quitting is weak, and that there is something inherently bad about a Quitter. This track is a triumphant ode that flips that notion on its head, and celebrates the empowerment one feels when they take control of their own destiny. Quitting something that no longer serves you is an important step in the journey of life. These are the victorious sounds of Quitting that thing you no longer need.

Musically, “I Quit” is a chill hip hop beat supporting a vintage synth arrangement that’s sort of vapor wave-meets-90s freestyle in timbre. The vocals are also chill and serene despite the content of the lyrics being largely made up of “bitch I quit.” Again, an interesting juxtaposition of smooth and electronic, the vox sort of sounds like a robot version or Snoop Dogg, sitting on a couch in a breakroom somewhere smoking a blunt in their boss’s face. If that’s what Sup? were going for, they nailed it.

It seems music lovers should get used to purchasing music in this format soon, and why not? This way, everyone knows exactly where their money is going and the artists can guarantee quality of cut. It’s easy to see where Sup? are coming from, both philosophically and business-wise. In the meantime, their track is a jam and likely has fans waiting for the full album to drop.

In keeping with the digital theme, Sup? also created a discord server for their album release as well as an online virtual release party, a sort of 8-bit disco that plays the new single as the user can wander around the room. The NFT of the single “I Quit” is available on OpenSea now, with the master also up for grabs.

 

This article was first published on Your EDM. Source: New Artist Spotlight: Electro Hip Hop Duo Sup? Say ‘I Quit’ to Standard Release Formats

Martin Garrix Drops New Single “Love Runs Out” With G-Eazy & Sasha Alex Sloan

Though Martin Garrix has established a baseline sound over the years, he’s never afraid to step out of his comfort zone and try something new. Whether it’s his side projects, GRX and AREA21, or his own singles like “Summer Days,” “Pressure,” or “Fire,” we’ve seen it time and again.

Now, he steps into another lane with “Love Runs Out,” his new collaboration with G-Eazy and Sasha Alex Sloan (fka Sasha Sloan). The single is a combination of hip-hop and fresh pop production with a melodic hook and emotional lyrics that are instantly captivating. G-Eazy’s signature swagger and Sloan’s mysterious and sultry vocals perfectly blend with Garrix’s hit making production.

Martin Garrix: ‘’I’ve known Gerald since forever, so it was about time for us to release a song together. Sasha has an amazing voice, and she really completed the track. It’s a different sound for me, so I hope you guys like it!’’

Check out the official video below!

This article was first published on Your EDM. Source: Martin Garrix Drops New Single “Love Runs Out” With G-Eazy & Sasha Alex Sloan