Lizzo, Odesza, & Kendrick Lamar to headliner Governors Ball at new venue

Governors Ball returns this year with a lineup featuring Lizzo, Odesza, and Kendrick Lamar as headliners in a new venue at Flushing Meadows Corona Park.

After leaving Randall’s Island, the festival has been held for the past two years at Citi Field, though the cancelled iteration in 2020 was scheduled to be held there, as well. The new venue is in Queens, off Meadow Lake.

Scheduled for June 9-11, the lineup also includes Lil Uzi Vert, HAIM, Diplo, Lil Baby, Aespa, Rina Sawayama, Lil Nas X, Giveon, Sofi Tukker, and more.

Get tickets here.

2023 @citibank presale available now via https://t.co/rFKRXlBci6.

Fan early access tickets available 1/19 at 10am ET, sign up on our website. General on-sale to follow. pic.twitter.com/iSSjQZz0mR

— Gov Ball (@GovBallNYC) January 17, 2023

 

Photo via @gregnoire

This article was first published on Your EDM. Source: Lizzo, Odesza, & Kendrick Lamar to headliner Governors Ball at new venue

ILLENIUM to release self-titled album in April

ILLENIUM has just announced his fifth album will be dropping this year, April 28. ILLENIUM will be his self-titled album, something of a milestone for many artists, or sometimes their debut. Through the years, since his first album in 2016, he’s continued to evolve his sound and now we’re going to get something pretty special.

“To me, a self titled album is the core sound of who I am,” ILLENIUM wrote in a post announcing the release. “I see this album and itss story as a prequel to the Trilogy, where I get to explore my original musical inspirations and blend something that truly feels fresh. It’s made to be played live, with a band, and we’re bringing it on a world tour this summer/fall. I’ll announce tour dates later this week! Thank you all so so so much for your love and continued support and for letting me create whatever I want. Can’t waitttt!!”

Stay tuned for more info as it comes.

My fifth album titled “ILLENIUM” is coming 4/28/23!!!! To me, a self titled album is the core sound of who I am. I see this album and it’s story as a prequel to the Trilogy, where I get to explore my original musical inspirations and blend something that truly feels fresh. pic.twitter.com/84Jbcl8izY

— ILLENIUM (@ILLENIUM) January 17, 2023

 

Photo via Rukes.com

This article was first published on Your EDM. Source: ILLENIUM to release self-titled album in April

Diplo returns to country as Thomas Wesley with “Wasted” featuring Kodak Black and Koe Wetzel

Diplo began releasing music as Diplo Presents Thomas Wesley, his alt-country project, back in 2019 beginning with “So Long” featuring Cam. Since then, he’s released a full album with collaborators including Morgan Wallen, Zac Brown, Julia Michaels, Ben Burgess, and more, and also played Stagecoach Festival.

This past Friday, Diplo returned a new track, “Wasted,” featuring Kodak Black and Koe Wetzel, and an accompanying video directed by long-time collaborator Austin Peters, who directed the documentary Give Me Future about Major Lazer’s historic 2016 concert that drew 400,000 fans to Havana, Cuba.

“Wasted” marks Diplo’s first new country music since 2020’s debut album, Diplo Presents Thomas Wesley Chapter 1: Snake Oil. Additionally, Diplo will bring Thomas Wesley to Stagecoach for the third time, returning this year for his annual “Late Night in Palomino” festival closer and curating his own stage, Diplo’s HonkyTonk, throughout the weekend.

Check out the video for “Wasted” below.

 

Photo credit: Aidan Cullen

This article was first published on Your EDM. Source: Diplo returns to country as Thomas Wesley with “Wasted” featuring Kodak Black and Koe Wetzel

Shane 54 Is Pioneering A New Way To Make Music Videos With AI Technology

Web3, The Metaverse, Crypto, NFT’s…  we all hear these worlds nearly on a daily basis. The world is evolving at rapid pace and artists are joining. Whether it was Justin Boretta teaming up with Aaron Penne for their Generative Art and music project, or Steve Aoki spearheading the NFT movement in the dance music community, it is clear to see that technology and the music industry are now linked more than ever.

There’s another artist who’s enjoyed immense success over the past 30 years. Whether that be the frontman of a Hungarian pop group, one half of legendary trance duo, or producing beautiful progressive and trance  music under his solo project, Shane 54 managed to continue to pioneer new ways for people to experience his music.

What do we mean by that? Well, he’s using AI technology to create music videos and the result is jaw dropping.

“I’ve been making animated music videos for over a year now: I did some for other artists just as well for my own music. Oddly enough my first ever animation got shortlisted for “Best Animated Music Video” at the Hungarian Music Awards in 2021. (I didn’t win, but THAT would’ve been a miracle I guess)

The past few months spent exploring AI image creating technologies. I quickly got sucked into it: became part of a hot new movement in art, which naturally lead me wanting to use my newly found art in my music videos..

When he started, it took months of experimenting – and failing. Nothing was working the way he envisioned it.

“The first problem with using a brand new technology like this, is EVERYTHING looks fantastic and fresh. You create awesome visuals. Then – as soon as your tool’s new version comes out – your previous works all of a sudden start to look less cutting edge. Then it’s outdated faster than you could say ‘Björk’.”

Then he realized, with a separate app for animation, he could avoid the cliches that were so easy to fall for when creating AI videos.

“The idea was to create every single element of the video with MidJourney (my current favourite AI tool), creating a collage that is coherent like no other. THEN animate it. Even though it was a stupidly simple idea, the impact it had on my work is unbelievable…

I truly was able to create my own, unique world with a lion-headed king, magic carpet, castle in the sky, and anything I could think of. Using the right keywords and modifiers makes the images look well-textured / aged, so very little post processing needed in the end: it was lightning fast, and visually provided me literally everything I wanted.”

Although he does not think himself to  be a filmmaker in a traditional sense, he is undoubtedly creating a new visual experience to pair with music that has an absolutely unique look, and a story to tell.

“The worldwide AI community is pioneering an art form that’s so new and groundbreaking, that most of the old rules and labels don’t apply here. New methods and techniques getting released on a weekly basis, and it’s not an exaggeration. I’m extremely happy to be a part of this movement, giving me the opportunity to fuse music, art and filmmaking the way I always envisioned. It’s unbelievable really.”

This article was first published on Your EDM. Source: Shane 54 Is Pioneering A New Way To Make Music Videos With AI Technology

Your EDM Premiere: Tengu Gears up the ‘Virtual Reality’ Machine With Some Summer Bangers [Korsakov Music]

Don’t let the intro of the title track for Virtual Reality, Tengu’s first solo multi-track since 2020’s Comin’ In Tough LP fool you. The light, lilting, slightly vintage synths drop into the Brighton producer’s trademark madness soon enough, and then it’s running basslines, crunchy synths and jumpy rollers from start to finish on his new Virtual Reality EP, out this week on Korsakov Music.

Tengu has always had an ability to combine light, ravey elements with dirty, heavy bass and neuro flourishes in a way that doesn’t sound hokey or try-hard, and Virtual Reality is no exception. The hookup with dancefloor imprint Korsakov Music is timely as well, as after Tengu released a track on the Dutch label’s Future Stars compilation last year that was wildly popular, it seemed only a matter of time before an EP was due. With summer festie season about to begin in earnest, these tracks are likely to see even more play, and rightfully so.

The ravey, Tron-like synths follow Virtual Reality through all its tracks, so it’s obvious there’s a theme here. On second track “Rayquaza” one might even call the synths so ravey that they’re progressive, that is until the second drop, where a chunky af synth takes over and pushes the track into epic dancefloor/neuro vibes. Seeing as it’s named after a similarly epic Pokémon, the progression of this track seems fitting. The EP’s closer “Cell”, by contrast, is all chunky synths and has a more ominous vibe than its predecessors. Perhaps signifying an epic VR battle, the script is flipped here a bit, with the synths sounding very modern but the drums and snares having a fun, starburst throwback vibe.

The title track to Virtual Reality is our YEDM premiere today and despite its very vintage, keys-from-Kyrie-by-Mr. Mister vibe, that balance between light and dark, sublime and heavy is present, with loads of interesting sine wave manipulation and ambient sound design that really introduces the theme of the EP nicely. The highs and bass flow together nicely here, and if we’re talking balance, it probably is the most balanced track. That means it’ll probably be the most played this summer, as it will mix well with loads of different styles and genres.

While all Tengu’s releases over the past few years (usually on Southampton UK label YosH) have this lovely balanced quality that works well with different mixes, it seems he’s dialing that style in even more lately, and it will likely serve him well. With Korsakov Music and its Future Stars series as a pretty decent predictor, fans can expect to see a lot more of Tengu in the coming months and years.

Virtual Reality drops this Friday, June 3 on Korsakov Music. Click here to pre-order or pre-save.

This article was first published on Your EDM. Source: Your EDM Premiere: Tengu Gears up the ‘Virtual Reality’ Machine With Some Summer Bangers [Korsakov Music]

Callie Reiff Returns To Dim Mak With Electrifying Single, “Arm’s Length”

As an accomplished producer, DJ, and all-around performer, Callie Reiff has made history as the youngest DJ toperform at Webster Hall — since then, she’s taken the stage at festivals such as Creamfields, EDC Las Vegas, Tomorrowland, and Ultra and she’s opened for world-renowned acts including Ed Sheeran, Skrillex, and more. Now at 22 years old, Callie Reiff has aligned herself at the intersection of indie pop and electronic.
There’s a reason she’s gained global support from tastemakers such as BBC Radio 1’s Annie Nightingale, Rinse FM’s Marcus Nasty, and Diplo — each release exudes Callie’s bubbling, fearless energy and unrivaled character. In addition to her own tracks, Callie has knocked out dance floor-ready remixes for artists such as Alison Wonderland, SOFI TUKKER, TRACE, and more.

Now, Callie is making her return to Dim Mak with her electrifying single, “Arm’s Length“. Laced with gritty synth wave production, Lia delivers a gripping vocal performance that together, helps this song soar to new heights. “Arm’s Length” showcases a more sophisticated, sonically dark side of Callie and the result is spectacular.

Listen below!

This article was first published on Your EDM. Source: Callie Reiff Returns To Dim Mak With Electrifying Single, “Arm’s Length”

Fedde Le Grand Drops Groovin’ New Tech House Track “Nothing’s Gonna Hurt You”

Fedde Le Grand is back with another groovy new track, “Nothing’s Gonna Hurt You.” Following from his previous release “Heaven” with Robert Falcon, “Nothing’s Gonna Hurt You” sees the veteran producer/DJ go deeper into the tech-house realm. Featuring a catchy bassline, old school bass synths, and a hypnotic vocal refrain, “Nothing’s Gonna Hurt You” is sure to light up the floors at after-hours around the world.

This track is more of a stripped back affair for Fedde Le Grand. The production is fairly minimal. A four-on-the-floor beat propels most of the song, the vocals lend a nice touch and the drop lends it a nice, old school feel with its droning bass synths. “Nothing’s Gonna Hurt You” is an undeniable house hit, and a track that is sure to make its way into sets all summer long.

Listen to the latest from Fedde Le Grand, “Nothing’s Gonna Hurt You” out now on Darklight Recordings.

This article was first published on Your EDM. Source: Fedde Le Grand Drops Groovin’ New Tech House Track “Nothing’s Gonna Hurt You”

Jason Ross Drops Emotional New Single “Hate This Kind of Love”

Fresh off the heels of his sunrise set at EDC Las Vegas, Jason Ross has just dropped his latest single, “Hate This Kind of Love” featuring HOLT. Out now on Seven Lions’ Ophelia imprint, “Hate This Kind of Love” is the perfect blend of melodic bass, progressive house, and of course, vocals that will make you feel some kind of way.

Featuring soaring progressive melodies, “Hate This Kind of Love” is a gut-wrencher of a song about a mildly toxic relationship that you just can’t seem to break free from. Just because someone hurt you, doesn’t mean you’re ready to say goodbye to them; seems to be the general sentiment of the song. When HOLT repeats “I hope you hate being lonely too” you can feel the pang in the lyrics.

On top of the song release, Jason has just announced his biggest headline show to date at the Hollywood Palladium on August 26. Get your tickets here.

Check out Jason Ross’ latest, “Hate This Kind of Love” featuring HOLT, out now on Ophelia.

This article was first published on Your EDM. Source: Jason Ross Drops Emotional New Single “Hate This Kind of Love”

Nicky Romero Shows Off New Sonic Style with Perception EP

Nicky Romero is back with a new EP, Perception, that sees the Dutch producer/DJ go back to his roots by taking on a more house-driven sound. The EP features two new tracks, “Hear Me Now” and “Work My Body”, as well as two previously released singles, “Pressure” and “Lose My Mind” which both featured prominently in Nicky’s Ultra Miami set this year.

Both new tracks vibe perfectly with the previously released ones. “Hear Me Now” could easily be a track under Nicky’s Monocule alias with soulful vocals over low-end synths and a nasty tech-house drop. “Work My Body” sees Nick sort of blending his more tech-house sound with almost a Future Rave vibe.

It’s been great to see veteran producers explore new (or in this case, older) sounds and incorporate them into their sets and libraries. Nicky Romero is no exception. Here’s what he had to say about Perception

“Over the past years, I’ve been producing different kinds of genres within dance music. At the beginning of 2022, I went back to my roots and started to try out producing more groovy and house-y tracks. When I could play Ultra Music Festival again this year as the first major festival after two years, I wanted to drop ‘Pressure,’ ‘Lose My Mind,’ and ‘Work My Body’ to see the main stage crowd’s reaction. The reception of these three tracks was truly amazing, so I couldn’t wait to go back to the studio to work on more music, and this is when I produced ‘Hear Me Now,’ which perfectly concludes the ‘Perception’ EP”

Check out the latest from Nicky Romero, Perception, out now on Protocol.



This article was first published on Your EDM. Source: Nicky Romero Shows Off New Sonic Style with Perception EP

Gladkill Gives a Snapshot Into His Creative Mind in Incredible, ‘Cold Comfort’ EP

Gladkill is a talent which offers a complete defiance to conform to any genre label or style. Serving up a beautiful, harmonious and complete audial journeys of musical experience. With more than 10 year of a life on the road as a touring musicians, Gladkill has experiments and establish his own signature sound spanning across multiple genres and production styles. Today we are proud to provide our take on his beautiful and inspiring EP, ‘Cold Comfort’. This EP has a multitude of audio experiences for any musical enthusiast. you Providing another reason to go out and buy those slightly more expensive headphones so really appreciate the depth of the sound design, sampling and creative genius behind this impacting EP. You can expect beautiful laid samples incorporating vocals and distinct atmospheric sounds, harmonic genius in the synth production and a captivating journey with each of the 5 incredible tracks.

This article was first published on Your EDM. Source: Gladkill Gives a Snapshot Into His Creative Mind in Incredible, ‘Cold Comfort’ EP