Minimal Effort Put On NYE Spectacular

Minimal Effort has built quite a following for putting on two spectacular events each year, having a stellar reputation for being expectation-topplers in the category of what a satisfying electronic music event should include. Throwing a Halloween show and a NYE show year after year, the bi-annual shenanigans continue the momentum once again, not looking to let anyone down considering the volatility that 2020 brought us. Insane sound systems, world-class production, and line ups that make the reader stop and take a 2nd look, is what Minimal Effort has brought to the table once more. Tickets can be found here.

Now the NYE season is upon us, expect to see ​Dubfire, Nick Warren, DJ Boring, Layton Giordani, DAVÍ, Option4, Mason Collective, Life On Planets, Sad Money, Human Resources, Hats & Klaps, and others on what is one of the best nights of the year for many. Don’t miss what will be one of the premiere electronic events in LA for NYE festivities. Minimal Effort NYE will be happening ​in downtown LA at the Belasco Theatre, December 31st, starting at 9PM and ending at 4AM.

This article was first published on Your EDM. Source: Minimal Effort Put On NYE Spectacular

Burko Gives DGTL CLR’s “Empyrean” A Deep Remix

Burko – a newcomer in the SoCal house scene – has given DGTL CLR’s heavenly track “Empyrean” a heavy, hard hitting house remix.

DGTL CLR is the indie electronic project of Devereaux Jennings, who tastefully mixes house with indie music. Growing up around the ocean of Southern California in San Diego, Devereaux breathes his idea of mellow electro into these Nintendo-techno and house beats.

Burko, another San Diego native, has been garnering attention this year with a uniquely dark-yet-melodic style of ‘medieval’ house. Earlier this summer, Burko sold out his first headlining show at Bang Bang in San Diego, and went on to play Insomniac’s Beyond Wonderland shortly after.

This article was first published on Your EDM. Source: Burko Gives DGTL CLR’s “Empyrean” A Deep Remix

Another Single from J’Moris Means Smooth, Articulate Hip Hop Will Once Again Be ‘Activated’ [Video]

The opening scene of the video for trap hop rising star J’Moris’s new single “Activated” will be instantly recognizable, zooming in him and a friend sitting on a porch in obvious Smokey-and-Craig-from-Friday regalia. It’s a clear Texas-styled parody of the classic stoner movie, shot by the obviously talented director, Artist Named Chi and will likely have audiences laughing through the whole video.

With J’Moris himself playing Smokey, the video is replete with recognizable scenes from Friday: Felicia, Ms. Parker, Big Worm…they’re all there. The video ends with a take on the classic scene where Smokey accidentally smokes PCP and ends up in the chicken coops, or J’Moris’s take on it, anyway. Like his lyrics state, he may just be a bit too chill to portray the effects of an unexpected dip. It’s entertaining nonetheless and serves as a fun backdrop for “Activated.”

Fans watching the new video might be so enamored by the Friday references in the “Activated” video that they may fail to notice the track itself, which is one of J’Moris’s most musically and lyrically lush yet relaxed content-wise thus far. J’Moris has been known for making a lot of deep points in his raps, but this time it’s really just about being comfortable in one’s own skin, enjoying a day and doing what feels good. The beat reflects this “chill but aware” attitude, ornamented with vintage classical piano that sounds like it was actually recorded off a Victrola or similar old timey machine.

What hasn’t changed in “Activated,” however, is J’Moris’s mastery of flow. Even with the chill vibes throughout the track that match his vocal timbre, the contrast of this artist’s spit game is always impressive. Playing with different tempos, syncopation and phrase arrangements, J’Moris’s lyrics wind around the sleepy beat in a way that’s sure to get fans “Activated.”

As an anti-mumble rap champion, J’Moris proves once again on “Activated” that relaxed, Soutthern trap vibes are no excuse for lazy lyrical flow. Even with his most chilled out subject matter, J’Moris is articulate with beautifully crafted rhymes that are the real star of this track. The connection then to Friday is quite clear: the heyday of hip hop is still very much alive and will continue to be thus as long as J’Moris is around.

“Activated” is out now and can be streamed on multiple platforms here. Check out J’Moris’s other videos on YouTube.

This article was first published on Your EDM. Source: Another Single from J’Moris Means Smooth, Articulate Hip Hop Will Once Again Be ‘Activated’ [Video]

PREMIERE: Shitty Princess & Queeny King Team Up For Intoxicating Single, “Make Me Baby”

Shitty Princess is quite the fascinating artist. She produces chart-topping dance music with tens of millions of streams and performs DJ sets anonymously with a lampshade mask, carefully concealing her true identity. On the live circuit, Shitty Princess can be found throwing her own festival called Princessfest or opening for the likes of Post Malone, Migos, and Dillon Francis.

Shitty Princess also excels in the fashion world as a forward-thinking creative, most recently remixing her merchandise for New York Fashion Week ‘21 by dropping a couture line called Sh!tty Princess Pink Label. From spellbinding music to intriguing fashion, it’s all part of Shitty Princess’ captivating, imaginative world.

Being born into an infamous cult in India, joining musical royalty as the daughter-in-law of Cher and Gregg Allman, and entering a lineage of legendary artists including Allman to perform at the notorious San Quentin State Prison sounds like a far-reaching fantasy, but it’s nothing less than reality for Queeny King.

Queeny was originally discovered at the Heike Makatsch show on Germany’s RTL2, eventually signed with her siblings to EMI Germany where she was extensively prepared for the music business before leaving the band in pursuit of her own career. That route led to her first solo performance at the San Quentin State Prison where she enlisted none other than Deadsy and Queens Of The Stone Age for a standing ovation-inducing show.

Queeny made her debut in 2020 with the pop friendly single, “Freakshow” and now she’s back with a highly anticipated collaboration with Shitty Princess, “Make Me Baby“. It’s an infectious dance-pop track that features a bright vocal and warm melodies that feels like a hit in every way. They debuted the single during their very own headlining New York Fashion Week show this year, the highlights of which are strung through an eye-popping lyric video and social media.

Listen to “Make Me Baby” below!

This article was first published on Your EDM. Source: PREMIERE: Shitty Princess & Queeny King Team Up For Intoxicating Single, “Make Me Baby”

[Interview] Meet Tell.ie, The Best New Link-In-Bio/Portfolio & The Last One You’ll Ever Need

By now, most of us should be well used to link-in-bio and content aggregators like Linktr.ee or Linkfire — but what each one of these platforms lacks is a customizability or even character that makes them worth going back to once you’re done with your initial goal. Enter Tell.ie — your content & commerce all in one place. The best link-in-bio/website/portfolio + the best way to drop new content, merch, tickets, & NFTs.

What does Tell.ie do differently and why should you use it over other similar platforms? From their About Me section:

Tellie allows every creator to build a home for your creativity in minutes. It gives the power of a website with the ease of a link-in-bio tool. With Tellie’s novel design, your work stands out on mobile and desktop. Tell stories across formats and platforms, pairing video, audio, text, images, GIFs, shops, links, and more—creating connections never before possible. At Tellie, we don’t prioritize meaningless clicks. We help you build long-term relationships directly with your fans.

Your EDM spoke with Jack Bogdan, Head of Product, and Joe Simek, who runs Tell.ie’s marketing, to get the low down on what their platform does so well and why it’s so important.

Your EDM followers can use this link to skip the line and sign up for a Tellie account

Why is there a growing need for creators to have all of their content in one easily accessible location?

Artists have been forced into a digital diaspora, where they have to exist everywhere but don’t own anything anywhere. Fans bounce quickly from artist to artist across different social networks, DSPs, etc. When you publish only on these platforms, you can lose part of your art and identity ‒ you become a commodity, putting your work in a box that looks and feels like everyone else’s box.

Being able to bring your world together in one place that feels like you is important for a few reasons. You can tell a richer story across different mediums (music, video, galleries, writing, etc) and connect with fans on a deeper level that reflects who you are as an artist. You can introduce fans who might know you in passing to get to know you and your work better. Ultimately, this increases the likelihood these fans will support you again and again throughout your creative journey.

We think personal artist sites are going to be more important than ever in the next era of the web.

What happens in a consumer’s/fan’s/user’s mind when they see a link list like lintr.ee vs an ecosystem like tell.ie?

A lot of the link list style products are purely routing tools. The solution is to get you from point A to point B as fast as possible. There are a lot of creators with upwards of 20 links, and it can be overwhelming for their fans. It’s hard to tell a story or build connection in a list of buttons, so what happens is fans click on a button but then go off to do something else while they are being re-routed. What link lists don’t want you to know is they have a high click-through rate (or “CTR”) but an extremely high bounce rate. The fan ultimately never arrives at the place you are trying to send them. Tellie gives you the creative tools and the ability to bring those destinations into your own site so fans don’t have to click out to interact with your world.

Was there any specific catalyst, a moment, when you thought that tell.ie was necessary?

Tellie was born from the thesis that there were tools missing to foster a stronger connection between creators and fans on creators’ terms. We went through a lot of R&D around format and the ways we could create an accessible platform for creators to tell deeper stories, build connections, and get paid without it feeling transactional.

A lot of our earliest artists have given us feedback that kept hitting the same themes: a lack of ownership, painful website updates, a hunger for experiences better than link lists.

We’re at this unique opportunity for independent creatives where the technology to hold the keys is starting to be decentralized and distributed in a way that puts power directly in the hands of the artists and their fans.

Was there ever any concern that (near) infinite customization might be overwhelming to users and visitors compared to the relative  simplicity of tools like linktr.ee or DSP aggregators?

Every design decision has been anchored in the primary goal of ease of use and building smart constraints and defaults. Tiles are incredibly easy to create and edit, often by pasting one link, or dragging and dropping an image. Smart defaults are really important. Tellie should provide the inspiration to set you up for success. For example, when you add Tiles we automatically arrange them on your page in an optimized auto-layout so you don’t have to immediately focus on where everything lives. Soon we’ll be adding inspirational layouts you can start from and edit to accomplish different goals, like dropping an EP or showing off a portfolio of work.

How, if at all, did your background in gaming and modding influence the design and experience of tell.ie?

I’ve grown up on creative tools. I pirated Photoshop, Illustrator, and 3DS Max as a 12 year old and started tinkering in game engines. I lived in PhpBB forums and swapped .WMV and .MOV tutorial files pre-YouTube. The internet was a lot smaller and so fun!

The web itself was a creative platform. Every kid learned HTML and CSS to customize their Myspace pages. When smartphones took off, and apps became the defacto, there was a fun yet brief period of Skeuomorphism (driven mostly by Apple), but soon everything became flat and boxy to adapt to responsive design.

Tellie is definitely scratching a personal itch to get back to a world where the web was fun in a format anyone can pick up and play, but with modern functionality. We’ve got a lot more fun stuff cooking!

What can tell.ie do that other similar platforms can’t?

Tellie has been entirely designed around modularity and composability. We have created a unique combination of mix and match utility, design tools, and storytelling capabilities that doesn’t exist anywhere else. We also have plans to do things you can’t do on any other website, like “re-post” pages from other sites or even embed your whole website somewhere else as easily as embedding a YouTube video. Why settle for promoting just your music video when you can embed your music video, your behind the scenes, your DSP streams, and your shop?

We’re also incredibly excited to start to bring creators into the Web3 space where they can directly own the relationships with fans, and find new tools to monetize their back catalogue, creative musings, and more.

The way we think about it is simple: we want to give artists an outlet for their work where they can express their creative output and make enough money to perform, write, paint, etc. There’s this concept that’s been out in the world for a few years around “1,000 true fans.” Ideally that can be true for a lot of creatives, but even in a world where you have 25 fans who are willing to support your creative endeavors, we want people to have that outlet so you can justify continuing to create.

What will tell.ie be able to do in the future as it continues to scale?

There’s a bunch of interesting threads here, but I’ll pick two: the ownership economy and new ways to visualize your world.

We believe the future of artist and fan relationships are going to happen with creator owned collections / smart contracts. We’re going to be building the  tools for artists to create these digital primitives and use them to manage access to their content library, shows, merch, and more. Fans are not only getting access to exclusive experiences, but also have a digital status symbol they can show off to other fans. We’ll allow you to  own a new age fan club that exists outside of any one platform, including Tellie. We’re going to set artists up for success to take advantage of all of the amazing new tools and platforms as the space starts to mature.

When you design a tool around modularity, you suddenly have all of these building blocks you can tweak or alter. We’re exploring the website equivalent of a Snapchat filter to set the tone for a release or narrative in a more expressive way. We’re also excited to be running some experiments next year with virtual worlds fans can explore, dynamically built around your pages, that run in any web browser. You’ll be able to turn your website and link-in-bio into a virtual gallery or performance space with no additional work.

What creative experiences do you see users making with tell.ie?

Today we see a lot of musicians using Tellie to create a new Page for every single or album release, or graphic designers and traditional artists creating portfolios, or using Tellie to drop an NFT.

I’ve always been fascinated by the digital equivalent of a physical LP. There’s something really magical about buying a record and poring through the lyrics, the behind the scenes, the album art and artistic collaboration, the b-sides and demos, a little bit of insight into the creative process. So much of this stuff is sitting on artist’s laptops or phones nowadays and I’d love to see artists peel back the curtain with Tellie and create experiences for fans that reveal a little of the truth of their creative process.

What is Tellie’s biggest selling point for musicians in EDM?

EDM musicians have been some of our most passionate early users, since EDM artists tend to have such an interesting range of multi-disciplinary interests. Tellie is fundamentally about mixing existing elements into something new. EDM spans not just the music but the world building and performance and the headspace you transport yourself to. As an EDM musician you can bring together your visuals, your music, your merch and more in an experience that blows the DSPs or traditional websites out of the water.

Whose site do you share the most with your friends and what makes it special?

One of my favorite creators on Tellie is O’Plérou ✻ a musician, traditional artist, digital artist, and designer from Marrakesh. What’s so cool about O’Plérou is he’s using it as a way for people to explore all aspects of his creative life: his music, his art, even his friends! He also has his own creator token which he uses to gate exclusive content to his supporters.

This article was first published on Your EDM. Source: [Interview] Meet Tell.ie, The Best New Link-In-Bio/Portfolio & The Last One You’ll Ever Need

MDLBEAST announces full XP conference program & speakers

MDLBEAST has unveiled programming details and initial line up of speakers for their XP Music Conference, the first of its kind in the Middle East. The three-day and night event will take place in Riyadh from 13th – 15th December and will host a large number of leading industry figures, regional and international, who will address topics that are essential for the amplification and evolution of the region’s music industry.

Ramadan Alharatani, CEO of MDLBEAST, said: “The XP conference will help accelerate the growth of the music industry across the Middle East. We’re bringing together the most forward-thinking people from the world of music who will offer their insights and expertise to provoke conversation and incite positive action to grow our music industry.”

Attending audiences will represent diverse backgrounds including labels, publishers, talent, NGOs, GOVs, events’ companies, entrepreneurs, and industry media. All activations will be categorised under four main pillars which are considered the building blocks of the development of the regional music industry: Talent, Scene, Policy, and Impact.

Music professionals and fans from across the region can purchase their tickets for MDLBEAST’s music conference, XP through: https://xptickets.mdlbeast.com. The three-day event with a conference & nightlife aspect where local and regional artists will showcase the region’s budding nightlife; and will take place in Riyadh from 13th – 15th December.

More speakers and further details will be announced soon, please visit: https://mdlbeast.com/xp/

This article was first published on Your EDM. Source: MDLBEAST announces full XP conference program & speakers

Your EDM Premiere: Production ‘Machine’ Current Value is Back, Thank GOD! [Korsakov Music]

Current Value is one of those artists who, if he doesn’t release for a while, we as a scene collectively feel that absence. In a year where Noisia are taking their final bow in tours and releases, we hoped the German super-producer wasn’t also toying with the idea of taking an extended break. Luckily, not only is he back but he’s exploring new labels and sounds, praise the D&B Gods. After a remix of his own title track on Zombie Cats’ Mutation Remixed album and a collab track with Rene LaVice of all people on the Exposed 001 compilation on Device of all places, CV’s new solo multi-track is dropping this week on…Korsakov Music?

Now that you know we weren’t kidding about Mr. Value playing around with new formats and A&R values, let’s take a look at the Runway EP, due out this Friday. How do you even A&R someone like CV anyway? Let’s just assume the Korsakov crew didn’t give him a whole lot of notes, because this EP is just as technically flawless as it is completely mad and glitched out.

Runway opens with an excellent case in point in the form of the title track. Absolutely chaotic synths are just barely tethered to a subtle but none too minimal beat which, when flipped to 174 techno somehow becomes even more chaotic. Said beat is holding on for dear life to keep this track from becoming fully experimental and it manages to just barely succeed in staying danceable. From there, “Insistence” and “The Herd” become a bit more recognizably D&B with lashings or ravey neuro, but we’re back to organized chaos with “Wheelspin,” whose high-pitched, circular synths are somehow even faster than the snares. How even…?

The closing track and our premiere today, “Machine” is a melding of the glitchy chaos and more classic D&B that defines this EP…sort of. Heavier on the glitch than “Runway” or “Wheelspin” with interstitial radio pop sounds and full of fast, chugging snares, “Machine” also has a lovely melodic tinge to it. The composition, while complex to say the least, is almost orchestral in the way the layers are set up so even though the individual elements are experimental and chaotic, it doesn’t feel that way. The melodic vocals and ambient sound design ground the track. It’s a fitting landing on this sonic Runway. 

With these recent Device and Korsakov Music releases under his belt, it’s anyone’s guess where Current Value will head next but it matters naught. Wherever he goes, he continues to leave a trail of masterful production and mind-expanding sound experimentation in his wake. It’s not a typical sound for Korsakov Music but they’ve just upped their cool points by about a million releasing him. Who in their right mind would say no to this legend? Please never leave us again, Mr. Value..

Runway drops tomorrow, December 3 on Korsakov Music. Pre-order or pre-save here.

 

This article was first published on Your EDM. Source: Your EDM Premiere: Production ‘Machine’ Current Value is Back, Thank GOD! [Korsakov Music]

Alison Wonderland Shares First And Only Single Of 2021, “Fuck U Love U” [LISTEN]

Even during the throes of the pandemic, Alison Wonderland was putting out music. Unlike other producers (not to say any one way of approaching the pandemic was “correct”), she took most of this year to lay back rather than last year. Earlier this month, she revived her Whyte Fang alias and played the project’s debut performance at Brownies & Lemonade’s event at LA State Historic park with Moore Kismet, IsoXO, and others. Now to cap off the year, she’s released her first (and probably only) Alison Wonderland single of the year, “Fuck U Love U.”

Fans got an early listen of the single at Temple of Wonderland earlier this year, so the excitement for this one is understandably through the roof, let alone being the first Alison single of the year.

Check out the lyric video below, directed by Elohim.

 

Photo via Marc Van der Aa for Insomniac Events

This article was first published on Your EDM. Source: Alison Wonderland Shares First And Only Single Of 2021, “Fuck U Love U” [LISTEN]

Spotify’s 2021 Wrapped Results & Experience is Here!

If 2020 was the year that flipped the world on its head, 2021 was the year that we got used to seeing things upside down. With “normal” thrown out the window, we embraced the unknown and championed all of the things that make each of us unique. Spotify’s 2021 Wrapped is a celebration of this — the millions of weird and wonderful ways to listen and live in a world that continues to keep us on our toes.

Spotify is today unveiling its annual 2021 Wrapped campaign and personalized user experience inspired by just that. At the same time, they’ve unveiled the top artists, albums, songs, playlists and podcasts from the creators that helped soundtrack the year for more than 381 million users worldwide.

For even more on how the world listened in 2021, check out Spotify’s For the Record blog.

Starting today, eligible users can also access their personalized Wrapped experience exclusively in the Spotify mobile app.

Spotify 2021 Wrapped U.S. Top Lists

U.S. Most Streamed Artists 

Drake
Taylor Swift
Juice WRLD
Kanye West
Bad Bunny

U.S. Most Streamed Songs 

drivers license” by Olivia Rodrigo
good 4 u” by Olivia Rodrigo
Kiss Me More (feat. SZA)” by Doja Cat
Heat Waves” by Glass Animals
Levitating (feat. DaBaby)” by Dua Lipa

U.S. Most Streamed Albums 

SOUR, Olivia Rodrigo
Dangerous: The Double Album, Morgan Wallen
Planet Her, Doja Cat
Justice, Justin Bieber
Legends Never Die, Juice WRLD

This article was first published on Your EDM. Source: Spotify’s 2021 Wrapped Results & Experience is Here!

Nicky Romero Drops Radio-Friendly New Single “Why Do I Call”

Nicky Romero returns to Virgin/Universal with another addictive, pop-leaning track, “Why Do I Call.” After previously releasing “Nights Like This” on the label, the Dutch super-producer returns with another melodic track that features his tinges of progressive house. The song is about someone chasing a lost love, even if his methods might be slightly toxic. Come on dude, I don’t want anyone calling me at five in the morning.

The track opens up with the soaring vocal playing over some violins and pianos. The verse plays out over some finger snaps, and you can feel the pain in the vocals, despite the upbeat tone. The verse eventually leads into the chorus where we get a mix of progressive house violins and melody layered over a bubbling bassline. It’s like an emo song, so sad, yet so danceable too.

Check out the latest from Nicky Romero, “Why Do I Call” out now on Universal.

This article was first published on Your EDM. Source: Nicky Romero Drops Radio-Friendly New Single “Why Do I Call”